I started Interminable Rambling in August 2015. On this site, I provide reflections on African American, American, and Southern Literature, American popular culture and politics, and pedagogy. Interminable Rambling arose out of the blog I maintained for the Ernest J Gaines Center. There, I wrote about items in the center’s archives, Gaines’ works, and texts that related to Gaines and Louisiana. When I moved on from the center, I started Interminable Rambling as a way to maintain a writing schedule.
Recently, I’ve started relistening to a lot of mewithouYou, especially after writing about their song “Dryness and the Rain” for my “Politics in ‘Christian’ Songs” series. That song led me to play it’s all crazy! it’s all false! it’s all a dream! it’s alright (2009) on repeat, partly because it’s one of the six cds … Read More Angel of Death
Over the past few weeks, the Crusading in Color crew has been live Tweeting our readings through Robert Morales and Kyle Baker’s Truth: Red, White, and Black. I’ve read Truth multiple times, and I’ve taught it once. Each time I reread this series, something new arises. This time, with the discussions that we had online … Read More The Symbolic Captain America in “Truth: Red, White, and Black”
Over the last couple of posts, I’ve been looking at Rebecca Hall and Hugo Martínez’s Wake: The Hidden History of Women-Led Slave Revolts. Today, I want to conclude this series by looking at some of the panels in the last chapter of Wake. Entitled “Ancestry in Progress,” the final chapter brings together the threads that Hall and Martínez weave … Read More Retrieving History in Rebecca Hall and Hugo Martínez’s “Wake”
Last post, I wrote about the ways that Rebecca Hall and Hugo Martínez’s Wake: The Hidden History of Women-Led Slave Revolts uses the juxtaposition of text and image to highlight the continued ways that past impacts the present. Today, I want to continue that discussion and expand it some by focusing specifically on some of … Read More Layouts in Rebecca Hall and Hugo Martínez’s “Wake”
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