In my previous post, I discussed my lecture of F. Scott Fitzgerald’s The Great Gatsby (1925). (I have the slides on Google Docs.) I wrote about the way that Fitzgerald, from the outset, constructs the novel as a facade, the ways that the novel does not accept all of its readers, and I concluded with the ways that the novel pushes back against xenophobic … Read More The Great Gatsby Lecture Part II
+ «Hvit menn som push 50», «Hvite menn som pusher 50», «Hvor jeg kommer fra», chirag, hip hop, karpe, karpe diem, magdi, norway, pumba, rap
Last post, I dove into the refrain of Karpe’s «Hvite menn som pusher 50» (“White men pushing 50”), specifically looking at the ways that the “Heisann Montebello” operates within the song and across the album. Today, I want to continue my discussion of «Hvite menn som pusher 50» by looking at the verses and parts of the video and live performance that I mentioned … Read More Tensions in Karpe’s «Hvite menn som pusher 50»
+ Øyvind Holen, «Hvit menn som push 50», «Hvor jeg kommer fra», «Lett å være rebell i kjellerleiligheten din», «Vestkantsvartinga», chirag, heisann montebello, hip hop, karpe, karpe diem, magdi, norway, pumba, rap
Over the past few posts, I have been looking at songs on Karpe Diem’s Heisann Montebello. Today, I want to continue that discussion by looking at «Hvite menn som pusher 50» (“White men pushing 50”). This is the second song on the album, following «Au pair», a song that sets up the ways that the album will interrogate whiteness, white privilege, and wealth. This … Read More Language and “Heisann Montebello” in Karpe’s «Hvite menn som pusher 50»
+ Øyvind Holen, «Attitudeproblem», chirag, hip hop, karpe, karpe diem, magdi, norway, OnklP, rap, Ståle Stiil
Last post, I started looking at Karpe Diem’s «Attitudeproblem» and teasing out the tensions within the song between art and entertainment. Today, I want to continue that discussion by looking at Chirag’s verse. Along with looking at art and entertainment, I also want to explore how Chirag’s verse comments on complaceny and material comforts, much in the same he questions at the end of … Read More Art and Entertainment in Karpe’s «Attitudeproblem» Part II
+ Øyvind Holen, «Attitudeproblem», chirag, Elaina Hercz, hip hop, karpe, karpe diem, magdi, mona abdel-fadil, norway
Over the past two posts, I have started looking at Karpe’s Heisann Montebello (2016). I have discussed «Lett å være rebell i kjellerleiligheten din» (“Easy to be a rebel in your basement light”) and the ways that the song addresses xenophobic, Islamophobic, and racist rhetoric. Today, I want to continue some of that same discussion by looking at another song on the album, «Attitudeproblem» … Read More Art and Entertainment in Karpe’s «Attitudeproblem» Part I
Interminable Rambling 