Category: heisann montebello

+ Øyvind Holen, «Hvit menn som push 50», «Hvor jeg kommer fra», «Lett å være rebell i kjellerleiligheten din», «Vestkantsvartinga», chirag, heisann montebello, hip hop, karpe, karpe diem, magdi, norway, pumba, rap

Language and “Heisann Montebello” in Karpe’s «Hvite menn som pusher 50»

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Over the past few posts, I have been looking at songs on Karpe Diem’s Heisann Montebello. Today, I want to continue that discussion by looking at «Hvite menn som pusher 50» (“White men pushing 50”). This is the second song on the album, following «Au pair», a song that sets up the ways that the album will interrogate whiteness, white privilege, and wealth. This … Read More Language and “Heisann Montebello” in Karpe’s «Hvite menn som pusher 50»

+ «Lett å være rebell i kjellerleiligheten din», chirag, heisann montebello, hip hop, karpe, karpe diem, magdi, norway, rap

Rhetoric of Infestation in Karpe Diem’s «Lett å være rebell i kjellerleiligheten din» Part II

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Today, I want to continue my discussion of Karpe Diem’s «Lett å være rebell i kjellerleiligheten din» (“Easy to be a rebel in your basement apartment”). Again, this will not be a comprehensive discussion of the song, but hopefully it will serve as an entry point. One that I have discovered over the course of this process, and something I anticipated, is that a … Read More Rhetoric of Infestation in Karpe Diem’s «Lett å være rebell i kjellerleiligheten din» Part II

+ adjø montebello, Øyvind Holen, «Lett å være rebell i kjellerleiligheten din», benjamin hermansen, chriag, heisann montebello, hip hop, holmlia, karpe, karpe diem, magdi, norway, sindre bangstad

Rhetoric of Infestation in Karpe Diem’s «Lett å være rebell i kjellerleiligheten din» Part I

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My research into Norwegian hip hop is ever evolving. I keep finding new artists and songs everyday, but the one group that has really caught my attention is Karpe Diem, a group that consists of Magdi (Egyptian/Norwegian) and Chirag (Indian/Norwegian). Their 2015-2016 project Heisann Montebello (Hello Montebello) exists as a political statement on behalf of individuals who ask, as Pumba puts it, «Hvor faen … Read More Rhetoric of Infestation in Karpe Diem’s «Lett å være rebell i kjellerleiligheten din» Part I

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