Month: November 2019
Over the past few months, I have been making brief videos for Twitter. These videos are for the Lillian E. Smith Center’s profile, and each video focuses on some aspect of Smith’s work, usually connecting it to other authors and artists. Over the next couple of posts, I want to share a few of these videos. I will include the scripts I wrote and … Read More LES Center Videos: I
In last Thursday’s post, I wrote about the “historical self” and the “self self” that Claudia Rankine references in one of the vignettes in Citizen: An American Lyric. Today, I want to finish that discussion by looking some more at Rankine’s work, Lillian Smith, and concluding with Jamaica Kincaid’s A Small Place.
+ african american literature, american literature, citizen: an american lyric, claudia rankine, georgia literature, killers of the dream, lillian e smith, southern literature, twentieth century literature
Last post, I wrote about the ways that racism, subjugation, and history imprisons everyone, the oppressed and the oppressor alike. Today, I want to continue that discussion by looking at Lillian Smith’s Killers of the Dream and connected her discussion with a couple of the vignettes in Claudia Rankine’s Citizen: An American Lyric. While Smith focuses, predominately, on the white psyche, Rankine focuses on … Read More The “historical self” and the “self self”: Part I
+ barricades, citizen: an american lyric, civil rights, claudia rankine, cursive, georgia literature, get fixed, lillian e smith, southern literature, the right way is not the moderate way, tim kasher
On December 5, 1956, the Montgomery Improvement Association hosted the Institute on Non-Violence and Social Change commemorating the one year anniversary of the Montgomery bus boycott. They asked Lillian Smith to speak; however, she could not attend due to ill health. Rufus Lewis read Lillian’s speech, “The Right Way is Not a Moderate Way,” to the audience. Virginia Durr, who was in the crowd, … Read More Ridding Ourselves of the Giants and Pygmies of the Past
“Gravedigger” Chill, Dummy (2017) Like a lot of P.O.S.’s work, “Gravedigger” calls upon us as listeners to act and think about what we are actually doing with “this little flash” that we have on this earth. Are we spending time in club? Are we falling in line? Are we questioning the systems we exist within? What are we, ultimately, doing with our time. In … Read More P.O.S. Top Five: Part II