Category: zora neale hurston

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+ a letter from phillis wheatley, london 1773, a raisin in the sun, arnold friend, how it feels to be colored me, joyce carol oates, judges 19, lorraine hansberry, maecenas, new year, phillis wheatley, robert hayden, the blood brothers, to maecenas, zora neale hurston

Most Viewed Posts of 2021

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I haven’t a done a “Most Viewed Posts” in a while, so I thought I’d do one to wrap up 2021. Over the past three years, Interminable Rambling has grown exponentially. I never thought, when I started this site back in August 2015 I didn’t have any expectations. I started Interminable Rambling over on Blogger before migrating it to WordPress in 2016, so I … Read More Most Viewed Posts of 2021

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+ a small place, citizen: an american lyric, claudia rankine, glenn ligon, jamaica kincaid, killers of the dream, lillian e smith, zora neale hurston

The “historical self” and the “self self”: Part II

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In last Thursday’s post, I wrote about the “historical self” and the “self self” that Claudia Rankine references in one of the vignettes in Citizen: An American Lyric. Today, I want to finish that discussion by looking some more at Rankine’s work, Lillian Smith, and concluding with Jamaica Kincaid’s A Small Place.

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+ african american literature, american literature, double conciousness, how it feels to be colored me, southern literature, w.e.b. dubois, zora neale hurston

Rhetorically Examining Zora Neale Hurston’s “How It Feels to be Colored Me!”

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A few posts ago, I wrote about W.E.B. Du Bois and double consciousness. As part of this discussion, I looked at the ways that some artists, such as Charles Chesnutt and Frank Yerby navigated the literary landscape in relation to what readers expected from their works and how readers responded. Today, I want to briefly take a look at Zora Neale Hurston’s “How It … Read More Rhetorically Examining Zora Neale Hurston’s “How It Feels to be Colored Me!”

+ african american literature, american literature, darkie, jackie hill perry, micah bournes, propaganda, southern literature, their eyes were watching god, zora neale hurston

Countering Western Ideals of Beauty in Zora Neale Hurston’s “Their Eyes Were Watching God”

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If you enjoy what you read here at Interminable Rambling, think about making a contribution on our Patreon page.  Reading Claude McKay’s Banana Bottom and Zora Neale Hurston’s Their Eyes Were Watching God together provides multiple topics to discuss in relation to the two novels. Recently, I wrote about how McKay counters western ideals of beauty within his novel, and today I want to … Read More Countering Western Ideals of Beauty in Zora Neale Hurston’s “Their Eyes Were Watching God”

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+ african american literature, alabama literature, alice dunbar-nelson, alice walker, american literature, arna bontemps, charles chesnutt, claude mckay, early american literature, ernest j gaines, frank yerby, Genarao Kỳ Lý Smith, james baldwin, jesmyn ward, kiese laymon, Literature, louisiana literature, mississippi literature, octavia butler, paul laurence dunbar, richard wright, southern gothic, southern history, southern literature, southern studies, syllabus, t geronimo johnson, uncle tom's children. afircan american literature, william melvin kelley, zora neale hurston

“African American Literature and the American South” Syllabus

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Occasionally, I post syllabi ideas here on the blog. Today, I want to share a syllabus I have been thinking about recently entitled “African American Literature and the American South.” The South, as a geographic and imaginary space, looms large in the works of not just African American authors but in writers of all ethnic backgrounds from the United States. Maryemma Graham discusses the … Read More “African American Literature and the American South” Syllabus

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