Category: w.e.b. dubois

Divide and Conquer: Part I

I’ve always known that rhetoric, speech, and writing serve as weapons to sever communities or as tools to bring them together. Because of this, I know that individuals in power will use that weapon to keep individuals below separate through demonizing one group and promising hopes to the other. This has occurred throughout history, and in regard to race in America, it has occurred … Read More Divide and Conquer: Part I

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Martin Luther King, Jr. and Lillian E. Smith: Part I

On February 4, 1968, two months before his assassination, Martin Luther King, Jr. delivered “The Drum Major Instinct” at Ebenezer Baptist Church. During the sermon, King pointed out that the drum major instinct can lead to “tragic race prejudice.” On this point, he continued, “Many have written about this problem—Lillian Smith used to say it beautifully in some of her books. And she would … Read More Martin Luther King, Jr. and Lillian E. Smith: Part I

“I am as good as anybody”: 1619 and American Myths

The reaction to the New York Times 1619 Project has ranged from overwhelming approval to unabashed criticism. This criticism stemmed from those who do not see, or more importantly do not want to see, the ways that race and the institution of chattel slavery has influenced every aspect of our nation from its foundations to the present. The project states that its aim “is … Read More “I am as good as anybody”: 1619 and American Myths

David Walker’s “Cyborg” and Identity: Part II

Last post, I started looking at David Walker’s Cyborg, and I noted that his arc, “Unplugged,” is not an origin story about how Victor Stone became Cyborg. Instead, it is an arc chronicling how Victor Stone, as Cyborg, becomes Victor Stone. It’s an arc tracing how Victor Stone becomes visible to his family and society. It’s an arc that, at its core, encapsulates the … Read More David Walker’s “Cyborg” and Identity: Part II

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Language in William Faulkner’s “The Sound and the Fury”: Part I

Over the past few posts, I have been writing about Ernest Hemingway, modernism, the ways that language constructs meaning, and how authors such as Hemingway interrogated these constructions. Today, I want to look briefly at another modernist author who does the same thing in a slightly different manner than Hemingway. That author, of course, is William Faulkner, and the novel is The Sound and … Read More Language in William Faulkner’s “The Sound and the Fury”: Part I