Category: georgia literature

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Spring 2021 LES Studies Course

Last year, I posted about my first Lillian E. Smith Studies course which I taught in spring 2020. Today, I want to share the syllabus I constructed for the spring 2021 semester. The focus, still, is on Smith and her work, but I am also incorporating Michelle Alexander’s work on mass incarnation, using NPR’s Louder than and Riot podcast and Ava DuVernay’s 13th. Along … Read More Spring 2021 LES Studies Course

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“That is merde alors!”: Frank Yerby and Identity

Rediscovering Frank Yerby, a project I have been working on for a few years, will be out this May from the University Press of Mississippi. Along with this, UPM will release Veronica Watson’s The Short Stories of Frank Yerby around the same time. I am extremely excited for each of these books, not just because I edited one of them. I am excited because … Read More “That is merde alors!”: Frank Yerby and Identity

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Fears of Change and A More Equitable Society

Last October, Jennine Capó Crucet gave a talk at Georgia Southern University in Statesboro, GA. The university chose her novel Make Your Home Among Strangers (2015) as the campus-wide first year experience book. Crucet’s novel chronicles a Cuban American woman’s experiences at an elite college as a first-gen student and daughter of Cuban immigrants. After her talk, some students went out to a grill … Read More Fears of Change and A More Equitable Society

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Lillian E. Smith Studies Course

This semester, I am teaching the Lillian E. Smith Studies course for the first time. It is part of the LES Scholars’ program, and it is a course that focuses on Lillian Smith and social justice. The course looks historically at Smith and her work, but it also looks at the ways that her work and legacy resonate today. As such, I included works … Read More Lillian E. Smith Studies Course

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The “historical self” and the “self self”: Part I

Last post, I wrote about the ways that racism, subjugation, and history imprisons everyone, the oppressed and the oppressor alike. Today, I want to continue that discussion by looking at Lillian Smith’s Killers of the Dream and connected her discussion with a couple of the vignettes in Claudia Rankine’s Citizen: An American Lyric. While Smith focuses, predominately, on the white psyche, Rankine focuses on … Read More The “historical self” and the “self self”: Part I