Category: whiteness

+

The System of Whiteness in Atlanta’s “Three Slaps”: Part II

In a last post, I started looking at the system of whiteness in Atlanta’s “Three Slaps,” specifically at the ways that Loquareeous’s guidance counselor at school and the social worker who takes him away from his mother work within the system of whiteness to impact Loquareeous. Today, I want to continue with that discussion, looking a little more at Loquareeous’s “disruption” in class that sparks … Read More The System of Whiteness in Atlanta’s “Three Slaps”: Part II

+

The System of Whiteness in Atlanta’s “Three Slaps”: Part I

In a recent post, I looked at the illusion of whiteness in the opening scene of Atlanta’s “Three Slaps.” I delved into how the white character on the lake talks about the inaccessibility and accessibility of whiteness, and discussed Michael Collins’ feelings of comfort in the illusion of his closeness to whiteness in Dwayne McDuffie and Denys Cowan’s Deathlok. Today, I want to continue looking at … Read More The System of Whiteness in Atlanta’s “Three Slaps”: Part I

+

The Lies We Believe in Frank Yerby’s “Fairoaks”

A few weeks ago, I saw a review of Frank Yerby’s Floodtide (1950) on Twitter. At that point, I hadn’t read Floodtide, and this point, I still haven’t. For some reason, my brain misremembered the review and I started to read Yerby’s Fairoaks (1957), a novel centered on the life of Guy Falks. I didn’t realize my mistake until I started making a Twitter … Read More The Lies We Believe in Frank Yerby’s “Fairoaks”

+

Whiteness in Ann Petry’s “The Street”

Over the last few posts I’ve been looking at the American Dream in Ann Petry’s The Street. Specifically, I’ve examined the ways that Petry uses illusions in the Junto and during Lutie’s ride with Boots Smith as commentary on the mythic nature of the American Dream, the illusory nature of the dream for an African American woman such as Lutie. At the core of … Read More Whiteness in Ann Petry’s “The Street”

+

Capitalism in Ernest Gaines’ “A Gathering of Old Men”

Last post, I started looking at the ways that capitalism structures society in Ernest Gaines’ A Gathering of Old Men. Using Karl Marx’s “Preface” from A Critique of Political Economy, I noted how legal and social structures arise from the foundation of capitalism, working in tandem to construct the superstructure that separate individuals from one another based on wealth and power. Today, I want … Read More Capitalism in Ernest Gaines’ “A Gathering of Old Men”