This semester, I taught Jérémie Dres’ We Won’t See Auschwitz. I read Dres’ book last year in Norway, after I visited Warsaw, and it made me think about various things, mainly about the ways that we remember and construct the past. This is one of the recurring themes in the books that we are reading this semester, and it is one of the main … Read More Structuring and Rectifying the Past in Jérémie Dres’ “We Won’t See Auschwitz”
Last post, I wrote about memory in Kristen Radtke’s Imagine Wanting Only This. Today, I want to continue that discussion by looking at a few more pages in Radtke’s book. Specifically, I want to look at the ways we remember the past, what gets privileged and what gets forgotten. These moments point to one of the themes of Radtke’s book, the ephemeral and fleeting … Read More Kristen Radtke’s “Imagine Wanting Only This” and Reality
Visiting one of the museums here in Bergen, I walked through the rooms of Edvard Munch’s work, stopping in front of Ungdom (Youth). Ungdom is a large portrait of a boy with a multicolored background behind him that looks, in many ways, like waves. As I started at the portrait, I walked closer and peered at the background near the boy’s right arm and … Read More Why does history matter?
+ african american literature, american history, american literature, early american literature, EJI legacy museum, EJI memorial for peace and understanding, equal justice initiative, frederick douglass, history, hosea easton, lynching, Margaret Mulrooney, Pedagogy, slavery, william apess
Every semester, I try something new in my classroom. Recently, I’ve been working on decentering my courses in various ways, specifically through the use of active learning assignments. These involve assignments such as my archives project or creating more student centered discussion through the questions I pose in class. This summer, I taught a minimester course in early American literature. Essentially, we met 24 … Read More Reflections on EJI Legacy Museum and Memorial for Peace and Justice
+ african american literature, american history, american literature, charlottesville, frank yerby, history, Pedagogy, racism, southern history, the foxes of harrow, white nationalism, white supremacy
At the end of Frank Yerby’s The Foxes of Harrow (1946), Stephen Fox thinks about his son Etienne. The Civil War has just ended, and Stephen ponders what the racism and hate that Etienne carries within himself will bring for the future. Etienne’s feelings and ideas will lead to more bloodshed, more dead bodies, and a stunted progress towards equality. The events in Charlottesville, … Read More Charlottesville: What do I do in the classroom?
+ aaihs, african american literature, american literature, benton's row, caddo parish, civil war, frank yerby, history, jennifer morrison, joshua cark davis, Literature, louisiana literature, myles roberts, myth, National Museum of African American History and Culture, oak alley, shack up inn, shreveport, southern literature, southern studies, the old south, Uncategorized
Last Thursday, I shared a guest post by Jennifer Morrison where she spoke about her own experiences last month at Festival Internationle when a white woman began speaking with her about the statue of Confederate General Alfred Mouton that stands on the corner of Jefferson Street and Lee Avenue in Lafayette, LA. Her interaction with the woman comes at a time when the city … Read More What do these “monuments” say about our history?
+ aaihs, african american literature, alfred mouton, american literature, confederate monuments, festival international, history, jennifer morrison, lafayette, louisiana, Literature, louisiana, louisiana literature, mississippi literature, mitch landreau, southern literature, Uncategorized
Today, I want to share a post that Jennifer Morrison, a colleague and friend, shared on Facebook recently. I have not altered her post apart from separating it into paragraphs. Her words speak for themselves. All I want to say is that the statue she references is the statue of General Alfred Mouton that the United Daughters of the Confederacy had erected in 1922.