Last spring, I created my first comic alongside my students. When I created my comic on Lillian Smith, I thought about the script and the layout; however, I did not sit down and type out the script. Instead, I worked within the Comic Book! app to layout the pages and insert the text. I knew what I wanted it to look like as I … Read More Comics Script for Frank Yerby’s “The Foxes of Harrow”
Category: southern history
Lillian E. Smith published Memory of Large Christmas in 1962. The book, essentially, is a collection of humorous and memorable anecdotes about the large, bountiful Smith family Christmases. In the back of the book, Smith includes recopies for turkey dressing, pork salad, ambrosia, and more. Today, I want to look at one of the scenes that Smith relates in the book. The scene occurs … Read More Lillian Smith’s “Memory of a Large Christmas”
+ alabama literature, american history, american literature, atticus finch, boo radley, harper lee, scout finch, southern gothic, southern history, southern literature, to kill a mockingbird, william apess
Last post, I wrote about the Southern paradoxes in Harper Lee’s To Kill A Mockingbird. Today, I want to look at the opening of the novel because Scout traces the events of the novel deep into our nation’s history, before Jem, Scout, or Atticus arrived on the scene. This is important because for all of the missed moments of reflection in the novel, the … Read More American History and Harper Lee’s “To Kill a Mockingbird”
Over the past few weeks, I have been settling into my new position as the Director of the Lillian E. Smith Center (LES Center). During this process, I have started to read more of Smith’s work and learned more about her life and social justice work, specifically through the Laurel Falls Camp and during the Civil Rights movement. There is a lot I could … Read More Current and Future Projects at the Lillian E. Smith Center
Visiting one of the museums here in Bergen, I walked through the rooms of Edvard Munch’s work, stopping in front of Ungdom (Youth). Ungdom is a large portrait of a boy with a multicolored background behind him that looks, in many ways, like waves. As I started at the portrait, I walked closer and peered at the background near the boy’s right arm and … Read More Why does history matter?