Category: southern history

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Language in William Faulkner’s “The Sound and the Fury”: Part I

Over the past few posts, I have been writing about Ernest Hemingway, modernism, the ways that language constructs meaning, and how authors such as Hemingway interrogated these constructions. Today, I want to look briefly at another modernist author who does the same thing in a slightly different manner than Hemingway. That author, of course, is William Faulkner, and the novel is The Sound and … Read More Language in William Faulkner’s “The Sound and the Fury”: Part I

The Master Narrative in Alan Moore’s “Swamp Thing”

Last post, I wrote about some of the Gothic elements in issues #41 and #42 of Alan Moore’s Swamp Thing and the repetition of the “unsuccessfully repressed.” Today, I want to continue that discussion some by looking at the conclusion of issue #42, “Strange Fruit.” Rather than breaking with the past by burning the roots of hate and prejudice, the space shifts from Robertaland … Read More The Master Narrative in Alan Moore’s “Swamp Thing”

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What to Expect in 2018!

Welcome to 2018! Back in August 2015, I started Interminable Rambling as a space for me to flesh out thoughts I had concerning texts I was reading, pedagogy, and culture. Since that first post, I have published 236 posts for this site on a myriad of topics such as Mary Rowlandson and Sarah Kemble Knight to Star Wars: The Force Awakens and court cases such … Read More What to Expect in 2018!

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“African American Literature and the American South” Syllabus

Occasionally, I post syllabi ideas here on the blog. Today, I want to share a syllabus I have been thinking about recently entitled “African American Literature and the American South.” The South, as a geographic and imaginary space, looms large in the works of not just African American authors but in writers of all ethnic backgrounds from the United States. Maryemma Graham discusses the … Read More “African American Literature and the American South” Syllabus

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Charlottesville: What do I do in the classroom?

At the end of Frank Yerby’s The Foxes of Harrow (1946), Stephen Fox thinks about his son Etienne. The Civil War has just ended, and Stephen ponders what the racism and hate that Etienne carries within himself will bring for the future. Etienne’s feelings and ideas will lead to more bloodshed, more dead bodies, and a stunted progress towards equality. The events in Charlottesville, … Read More Charlottesville: What do I do in the classroom?