Category: ernest j gaines

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Confronting Ourselves and The Fear of Action

Over the years, I have thought about the reasons why individuals continue to cling tightly to their beliefs, beliefs based in fear that spawn hatred. I’ve struggled to come to grips with this aspect of humanity and to untangle its roots. What I have come to realize is that change and growth cannot occur until one decides to come face to face with themselves. … Read More Confronting Ourselves and The Fear of Action

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Capitalism in Ernest Gaines’ “A Gathering of Old Men”

Last post, I started looking at the ways that capitalism structures society in Ernest Gaines’ A Gathering of Old Men. Using Karl Marx’s “Preface” from A Critique of Political Economy, I noted how legal and social structures arise from the foundation of capitalism, working in tandem to construct the superstructure that separate individuals from one another based on wealth and power. Today, I want … Read More Capitalism in Ernest Gaines’ “A Gathering of Old Men”

Who is the Villain in Ernest J. Gaines’ “A Gathering of Old Men”?

Recently, I had a conversation with Jennifer Morrison, for my Multicultural American Literature class, on Ernest Gaines’ A Gathering of Old Men. At one point, we began talking about Fix and the ways that Gaines represents him, specifically through the eyes of an outsider to the community, Sully. This topic led me to eventually ask, “Who is the villain in the novel?” On the … Read More Who is the Villain in Ernest J. Gaines’ “A Gathering of Old Men”?

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Haunting in Mat Johnson and Warren Pleece’s “Incognegro”

In preparation for my fall literature class, I reread Mat Johnson and Warren Pleece’s Incognegro: A Graphic Mystery. There are a lot of aspects of the book I could discuss, and that I want to discuss with students. One of these will definitely be looking at Incognergo in relation to themes that James Baldwin discusses in his essay “Stranger in the Village.” As well, … Read More Haunting in Mat Johnson and Warren Pleece’s “Incognegro”

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False Narratives in “Profile”

Last post I wrote about Bettina Love’s “No Black Child Left Behind: Schools Policing Students of Color” and education. Today, I want to look at another piece in Bill Campbell, Jason Rodriguez, and John Ira Jennings’ APB: Artist Against Police Brutality. In “Profile,” Jennings, along with Damian Duffy and Robert Love, highlight the ways that society labels Black individuals, specifically men in this case, … Read More False Narratives in “Profile”