Category: the stone face

+ african american art, african american literature, american history, civil rights, france, history, the stone face, william gardner smith

Rootlessness and Action in William Gardner Smith’s “The Stone Face”

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Over the past few posts, I have been looking at the tensions that Simeon feels in William Gardner Smith’s The Stone Face. Simeon leaves the United States for France, seeking refuge and escape from the racist oppression of white supremacy. He finds, as other African American expatriates do within the novel, the “illusion of safety.” This illusion provides a means of escape, a means … Read More Rootlessness and Action in William Gardner Smith’s “The Stone Face”

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+ Achille Mbembe, african american literature, algeria, france, the stone face, whiteness, william gardner smith

The Illusion of Safety in William Gardner Smith’s “The Stone Face”

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William Gardner Smith’s The Stone Face, as I have written about over the past few posts, revolves around the tension that Simeon feels about living in Paris as the Civil Rights Movement occurs back in the United States. Simeon’s conflict arose partly from Smith’s own experiences as an expatriate in France but also from the experiences of other African America expatriate writes in France … Read More The Illusion of Safety in William Gardner Smith’s “The Stone Face”

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+ african american art, african american literature, algeria, the stone face, william gardner smith

“We’re not racist!”: France in William Gardner Smith’s “The Stone Face”

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Recently, I’ve been looking at “whiteness” in William Gardner Smith’s The Stone Face. Today, I want to continue that discussion by looking further at Simeon’s interactions with Ahmed and Hossein, specifically on going to Hossein’s apartment in Paris. While Simeon, earlier in the novel, recognizes, through his “double perspective,” the atrocities that the French enact upon the Algerians, the movement through the, as Simeon … Read More “We’re not racist!”: France in William Gardner Smith’s “The Stone Face”

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