Category: african american art

+ african american art, african american literature, american history, civil rights, france, history, the stone face, william gardner smith

Rootlessness and Action in William Gardner Smith’s “The Stone Face”

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Over the past few posts, I have been looking at the tensions that Simeon feels in William Gardner Smith’s The Stone Face. Simeon leaves the United States for France, seeking refuge and escape from the racist oppression of white supremacy. He finds, as other African American expatriates do within the novel, the “illusion of safety.” This illusion provides a means of escape, a means … Read More Rootlessness and Action in William Gardner Smith’s “The Stone Face”

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+ african american art, african american literature, algeria, the stone face, william gardner smith

“We’re not racist!”: France in William Gardner Smith’s “The Stone Face”

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Recently, I’ve been looking at “whiteness” in William Gardner Smith’s The Stone Face. Today, I want to continue that discussion by looking further at Simeon’s interactions with Ahmed and Hossein, specifically on going to Hossein’s apartment in Paris. While Simeon, earlier in the novel, recognizes, through his “double perspective,” the atrocities that the French enact upon the Algerians, the movement through the, as Simeon … Read More “We’re not racist!”: France in William Gardner Smith’s “The Stone Face”

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+ african american art, african american literature, african americans, france, race, william gardner smith

“Come die with me!”: Whiteness in William Gardner Smith’s “The Stone Face”

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Last post, I started looking at William Gardner Smith’s The Stone Face, a novel that, as Adam Shatz points out, presents whiteness not as a racial trait but as “a synonym for situational privilege.” Today, I want to continue that discussion by looking at Simeon’s dream sequence after he speaks with the Algerians at the cafe who call him “white.” This sequence takes place … Read More “Come die with me!”: Whiteness in William Gardner Smith’s “The Stone Face”

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+ african american art, african american literature, african americans, colonization, france, race, william gardner smith

“How does it feel to be a white man?” William Gardner Smith’s “The Stone Face”

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Working on my syllabus for my upcoming “Black Expatriate Writers in France” class, I came across William Gardner Smith’s The Stone Face (1963), and even though the course focuses on Southern France (Marseille and Nice), I decided to include Smith’s novel, which is set in Paris, because of its depiction of French colonial racism against Algerians and itd depiction of the Paris Massacre of … Read More “How does it feel to be a white man?” William Gardner Smith’s “The Stone Face”

+ african american art, african american literature, african americans, france, marseille, Pedagogy, study travel

The Pan-Mediterranean Marseille

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We’re fully immersed in the “Black Expatriate Writers in France” course in the South of France. As I prepared for this course, I read all of the texts I’m teaching , and I also started to dive into other texts in preparation for the trip. Specifically, I reread Alexandre Dumas’ The Count of Monte Cristo, and I finally read, even though it takes place … Read More The Pan-Mediterranean Marseille

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