Category: double conciousness

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+ double conciousness, georgia literature, jim crow, lillian e smith, southern literature, strange fruit, w.e.b. dubois

Rereading Lillian Smith’s “Strange Fruit” :Part II

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Last post, I started looking at my thoughts after I reread Lillian Smith’s Strange Fruit for a virtual book club. I discussed the issues that i still have with the novel, but I also pointed out that, after reading more of Smith’s work, my thoughts about the novel have shifted some, and I see what Smith wanted to accomplish with it. I see the … Read More Rereading Lillian Smith’s “Strange Fruit” :Part II

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+ american literature, benjy compson, double conciousness, ernest j gaines, quentin compson, southern history, southern literature, the autobiography of miss jane pittman, the sky is gray, the sound and the fury, w.e.b. dubois, william faulkner

Language in William Faulkner’s “The Sound and the Fury”: Part I

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Over the past few posts, I have been writing about Ernest Hemingway, modernism, the ways that language constructs meaning, and how authors such as Hemingway interrogated these constructions. Today, I want to look briefly at another modernist author who does the same thing in a slightly different manner than Hemingway. That author, of course, is William Faulkner, and the novel is The Sound and … Read More Language in William Faulkner’s “The Sound and the Fury”: Part I

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+ african american literature, american literature, double conciousness, how it feels to be colored me, southern literature, w.e.b. dubois, zora neale hurston

Rhetorically Examining Zora Neale Hurston’s “How It Feels to be Colored Me!”

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A few posts ago, I wrote about W.E.B. Du Bois and double consciousness. As part of this discussion, I looked at the ways that some artists, such as Charles Chesnutt and Frank Yerby navigated the literary landscape in relation to what readers expected from their works and how readers responded. Today, I want to briefly take a look at Zora Neale Hurston’s “How It … Read More Rhetorically Examining Zora Neale Hurston’s “How It Feels to be Colored Me!”

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+ african american literature, american literature, charles chesnutt, double conciousness, frank yerby, paul marchand

The Paradox of Writing to Get the “Bigots”

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If you enjoy what you read here at Interminable Rambling, think about making a contribution on our Patreon page.  Over the past few posts, I have been discussing how authors such as Frank Yerby, Claude McKay, and Zora Neale Hurston counter western ideals of beauty, specifically ideals of white beauty. Over the next couple of posts, I want to move back a little and … Read More The Paradox of Writing to Get the “Bigots”

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+ african american literature, american literature, black panther, comics, deathlok, double conciousness, dwayne mcduffie, everett k ross, marvel, marvel cinematic universe, marvel comics, misty knight, souls of black folk, t'challa, the secret history of comics, the souls of cyberfolk, w.e.b. dubois

Dwayne McDuffie’s “Deathlok” and W.E.B. DuBois

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Last post, I wrote about Michael Collins in Dwayne McDuffie’s Deathlok, today, I want to continue that conversation by discussing, briefly, Collins’ use of W.E.B. DuBois’ Double Consciousness when describing his identity. Michael’s quoting of DuBois is a direct continuation of his conversation with Misty Knight as the two talk in her apartment. Through these conversations, Michael and Misty Knight both navigate a world … Read More Dwayne McDuffie’s “Deathlok” and W.E.B. DuBois

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