Category: everett k ross

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Celebrating Three Years! Top Five Posts and Most Viewed!

Somehow, I failed to recognise that last Thursday’s post on David F. Walker’s Luke Cage was my 300th post on Interminable Rambling. That means that this site has been live, in one form or another, for three years. A lot has happened in those three years, and I have written about a lot of subjects. Typically, I try to keep my posts around 1,000 … Read More Celebrating Three Years! Top Five Posts and Most Viewed!

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Dwayne McDuffie’s “Deathlok” and W.E.B. DuBois

Last post, I wrote about Michael Collins in Dwayne McDuffie’s Deathlok, today, I want to continue that conversation by discussing, briefly, Collins’ use of W.E.B. DuBois’ Double Consciousness when describing his identity. Michael’s quoting of DuBois is a direct continuation of his conversation with Misty Knight as the two talk in her apartment. Through these conversations, Michael and Misty Knight both navigate a world … Read More Dwayne McDuffie’s “Deathlok” and W.E.B. DuBois

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Top Five Posts of 2017!

Back in August 2015, I started Interminable Rambling as a space for me to write about, and reflect upon, topics I was teaching, my pedagogical practices, my research, and my thoughts about popular culture. Since that first post in 2015, I have published 235 posts (two a week) for the past two and a half years. The experience of maintaining this blog has helped … Read More Top Five Posts of 2017!

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The “Double V Campaign” in “Captain America/Black Panther: Flags of Our Fathers”

Recently, I’ve been writing about Christopher Priest’s Black Panther, specifically about Priest’s use of Everett K. Ross, “Emperor of Useless White Boys,” as the narrative voice of the book. Today, I want to look at some of Reginald Hudlin’s work as head of Black Panther. I have read a couple of issues of Hudlin’s run, but I do not want to focus on those … Read More The “Double V Campaign” in “Captain America/Black Panther: Flags of Our Fathers”

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Everett K. Ross as Mephisto? Positioning in Christopher Priest’s Black Panther

In the previous post, I wrote about the narrative point-of-view (pov) in Christopher Priest’s Black Panther (1998-2003). There, I discussed Priest’s comments about placing Everett K. Ross as the narrator of Black Panther and how that narrative position related to the work of Quentin Tarantino. Today, I want to look at a shift that occurs in issue #34, part one of “Gorilla Warfare.” Ross’ … Read More Everett K. Ross as Mephisto? Positioning in Christopher Priest’s Black Panther