Category: ralph ellison
Last January, I posted a syllabus for a “Comics and Race” course that I constructed. At that time, I had not read any of David F. Walker’s work. A few months later, I read Nighthawk, and I was blown away. Nighthawk led me to other series by Walker such as Shaft, Luke Cage, Power Man and Iron Fist, and his recent work Bitter Root. … Read More David F. Walker’s “Cyborg” and Identity
+ african american literature, american literature, black panther, christopher priest, comics, everett k ross, invisible man, marvel, marvel cinematic universe, marvel comics, mephisto, narrative, ralph ellison, t'challa
In the previous post, I wrote about the narrative point-of-view (pov) in Christopher Priest’s Black Panther (1998-2003). There, I discussed Priest’s comments about placing Everett K. Ross as the narrator of Black Panther and how that narrative position related to the work of Quentin Tarantino. Today, I want to look at a shift that occurs in issue #34, part one of “Gorilla Warfare.” Ross’ … Read More Everett K. Ross as Mephisto? Positioning in Christopher Priest’s Black Panther
In preparation for the February 2018 premier of the Black Panther film, I started to delve into Don McGregor’s incarnation of Black Panther in the revived Jungle Action series from 1972-1976. The reemergence of the series, and the foregrounding of T’Challa took place in correlation with Marvel’s launching of Luke Cage, a series that looked to capitalize on the rise of Blaxploitation films during the … Read More The Black Panther and Racial Profiling in Jungle Action #20
+ african american literature, american literature, arna bontemps, chris washington, film, get out, invisible man, jordan peele, lion, Literature, movie, mr kelso's lion, ralph ellison, rose armitage, the old south, Uncategorized
Finally, during its third week in theaters, I saw Get Out (2017). Plenty of people have commented on the film; however, there are two aspects of the film that I have not found anyone discussing: the stuffed lion that sits on the nightstand next to Rose Armitage’s bed and the use of Childish Gambino’s “Redbone”playing over the audience’s first introduction to Chris Washington as … Read More Stuffed Lion in “Get Out”?