Category: nighthawk

Fences in George Takei’s “They Called Us Enemy”

Some of the strongest symbols within George Takei’s They Called Us Enemy are the fences that surround Rohwer and Tule Lake interment camps. There are multiple panels depicting the barbed wire fences, and various angles occur in each of the panels. These images, coupled with Takei’s words, highlight the psychological effects of xenophobia and racism on individuals, especially children such as Takei. I have … Read More Fences in George Takei’s “They Called Us Enemy”

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David F. Walker’s “Cyborg” and Identity

Last January, I posted a syllabus for a “Comics and Race” course that I constructed. At that time, I had not read any of David F. Walker’s work. A few months later, I read Nighthawk, and I was blown away. Nighthawk led me to other series by Walker such as Shaft, Luke Cage, Power Man and Iron Fist, and his recent work Bitter Root. … Read More David F. Walker’s “Cyborg” and Identity

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We Must Listen, See, and Act: David F. Walker’s “Nighthawk”

Last post, I wrote about the ways that David F. Walker’s Nighthawk lays bare the tendrils of racism that work at various levels to suffocate and oppress people of color in America. Today, I want to expand some on this and look at how Raymond Kane confronts issues of racism and subjugation. I want to explore, briefly, the moral tensions that Kane encounters as … Read More We Must Listen, See, and Act: David F. Walker’s “Nighthawk”

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The Tendrils of Racism in David F. Walker’s “Nighthawk”

Recently, I read David F. Walker’s Nighthawk series “Hate Makes Hate.” This is the first time I had heard of Nighthawk (Raymond Kane), so I do not know much about his backstory except what I have looked up online. Even without that knowledge, Walker’s series can stand on its own because it focuses on current issues that plague our nation today: police brutality, the … Read More The Tendrils of Racism in David F. Walker’s “Nighthawk”