Category: invisible man
In the last post, I wrote about the metaphor of the caged bird in Dwayne McDuffie and Denys Cowan’s Hardware #1. The metaphor recurs throughout the series; however, I won’t get into those reoccurrences in this post. Instead, I want to look at the allusions to Ralph Ellison’s Invisible Man that McDuffie and Cowan deploy in Hardware #1. These types of allusions are nothing … Read More Ralph Ellison’s “Invisible Man” and “Hardware” #1
Last January, I posted a syllabus for a “Comics and Race” course that I constructed. At that time, I had not read any of David F. Walker’s work. A few months later, I read Nighthawk, and I was blown away. Nighthawk led me to other series by Walker such as Shaft, Luke Cage, Power Man and Iron Fist, and his recent work Bitter Root. … Read More David F. Walker’s “Cyborg” and Identity
+ african american literature, american literature, black panther, christopher priest, comics, everett k ross, invisible man, marvel, marvel cinematic universe, marvel comics, mephisto, narrative, ralph ellison, t'challa
In the previous post, I wrote about the narrative point-of-view (pov) in Christopher Priest’s Black Panther (1998-2003). There, I discussed Priest’s comments about placing Everett K. Ross as the narrator of Black Panther and how that narrative position related to the work of Quentin Tarantino. Today, I want to look at a shift that occurs in issue #34, part one of “Gorilla Warfare.” Ross’ … Read More Everett K. Ross as Mephisto? Positioning in Christopher Priest’s Black Panther
+ african american literature, american literature, arna bontemps, chris washington, film, get out, invisible man, jordan peele, lion, Literature, movie, mr kelso's lion, ralph ellison, rose armitage, the old south, Uncategorized
Finally, during its third week in theaters, I saw Get Out (2017). Plenty of people have commented on the film; however, there are two aspects of the film that I have not found anyone discussing: the stuffed lion that sits on the nightstand next to Rose Armitage’s bed and the use of Childish Gambino’s “Redbone”playing over the audience’s first introduction to Chris Washington as … Read More Stuffed Lion in “Get Out”?