Category: they called us enemy

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Photographs and Memory in Thi Bui’s “The Best We Could Do”: Part III

Over the last two posts, I have looked at the ways that Thi Bui deploys photographs in her graphic memoir The Best We Could Do, exploring how these photographs function not only in relation to the narrative but also in relation to the construction of memory within in the text. Today, I want to finish my examination of photographs and memory in Bui’s graphic … Read More Photographs and Memory in Thi Bui’s “The Best We Could Do”: Part III

Contaminación of Memory

In Soledad Marimbo’s Retazos Una conversación con Sylvia Molloy, the Argentinian writer speaks about memory, writing, and the passage of time. When talking about two of the houses where she lived–her parent’s house in Argentina and one she owned in Long Island–Molloy talks about their similarities, specifically the courtyards. The two houses, due to some of the similarities, mingle within her mind, joining together … Read More Contaminación of Memory

Fences in George Takei’s “They Called Us Enemy”

Some of the strongest symbols within George Takei’s They Called Us Enemy are the fences that surround Rohwer and Tule Lake interment camps. There are multiple panels depicting the barbed wire fences, and various angles occur in each of the panels. These images, coupled with Takei’s words, highlight the psychological effects of xenophobia and racism on individuals, especially children such as Takei. I have … Read More Fences in George Takei’s “They Called Us Enemy”

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“Memory is a wily keeper of the past”: The Narrative of Memory

Throughout our lives, we create memories, then we reconstruct those memories, and they appear again and again within our mind. For me, one memory that always pops up concerns a time when I was a kid, riding a four-wheeler at my grandfather’s camp. I sat down on the seat, my dad sitting behind me, and I pulled the throttle back with my right hand. … Read More “Memory is a wily keeper of the past”: The Narrative of Memory