Category: of love and dust
In preparation for my fall literature class, I reread Mat Johnson and Warren Pleece’s Incognegro: A Graphic Mystery. There are a lot of aspects of the book I could discuss, and that I want to discuss with students. One of these will definitely be looking at Incognergo in relation to themes that James Baldwin discusses in his essay “Stranger in the Village.” As well, … Read More Haunting in Mat Johnson and Warren Pleece’s “Incognegro”
+ civil rights, ernest j gaines, eugene talmadge, killers of the dream, lillian e smith, lillian smith: breaking the silence, lonnie king, martin luther king, jr, of love and dust, our faces, our words
Last post, I shared some of the brief videos I have made for Twitter. These videos are for the Lillian E. Smith Center’s profile, and each video focuses on some aspect of Smith’s work, usually connecting it to other authors and artists. Today, I want to share a few more of these videos. I will include the scripts I wrote and the videos. Make … Read More LES Center Videos: II
Lillian E. Smith’s Strange Fruit (1944) has been on my shelf for a few years now. Right now, it sits back in the United States, untouched and locked away in a box in a storage room. When I purchased it, at a book sale, it was one of those books that I had heard about and that looked relevant to my research. I bought … Read More Dirt in Lillian E. Smith’s “Strange Fruit”
+ a gathering of old men, african american literature, american literature, bloodline, copper laurent, ernest j gaines, frank laurent, interracial intimacy, interracial marriage, louisiana literature, of love and dust, southern literature, Uncategorized
As I read Ernest Gaines’ “Bloodline” recently, the interactions between ‘Malia and Frank Laurent stood out. The story, essentially, centers around Copper, the son of Frank’s brother Walter who raped Copper’s mother. Copper has returned to the Laurent plantation to claim what is his, by birth. Essentially, he arrives to overthrow the system that denies him an existence due to the fact that his … Read More Interracial Intimacy in Ernest Gaines’ “Bloodline”
On Tuesday, I wrote about 100 Rifles (1969) as a commentary on the cultural moment that it originally appeared within. Today, I want to continue that discussion by briefly looking at couple of more scenes from the film that should be examined. Continuing from where the previous post left off, this post will look at Lyedecker and Herrera’s conversation with the priest as they … Read More “100 Rifles” and the Late 1960s: Part II
+ a darkness at ingarahm's crest, african american literature, american literature, early american literature, ernest j gaines, frank yerby, gillian, karla holloway, of love and dust, Pedagogy, southern literature, the dahomean, tumblr, Uncategorized, whitney plantation
This past year, close to one hundred posts have appeared on Interminable Rambling. With the end of 2016 in our rear-view mirror, I want to take the opportunity to highlight my five favorite posts from last year. You can see my favorite posts from 2015 as well. The posts from 2016 ranged in subject matter from pop culture and music to pedagogical approaches in … Read More My Five Favorite Posts from 2016
+ a darkness at ingarahm's crest, a gathering of old men, african american literature, american literature, cult of domesticity, frank yerby, gillian, of love and dust, southern literature, southern womanhood, Uncategorized
Frank Yerby’s Gillian (1960) deals, thematically, with the idea of manhood and the mythological ideals surrounding white Southern Womanhood. Gillian MacAllister and Hero Farnsworth shatter the virginal, innocent idea of white Southern Womanhood while Michael Ames challenges ideas of manhood. While these themes are at the forefront of Gillian, there are, as usual with Yerby, racial aspects that swim just beneath the surface. Gillian, … Read More The Convict Lease System in Frank Yerby’s “Gillian”
Last post, I wrote briefly about three of the covers from Ernest J. Gaines’s Of Love and Dust (1967). Today, I want to continue the discussion by looking at the 1994 Vintage Books edition and two 1991 covers from French translations. Examined in relation to the covers discussed in the previous post, these images provide readers with three more introductions to OLAD before they … Read More What Does the Cover Say? (Part 2)
One topic that has always interested me is the visual representations of literary works. Visual artists from Gustave Dore and E.W. Kemble illustrated everything from Dante’s Divine Comedy (1320) to Paul Laurence Dunbar’s The Strength of Gideon and Other Stories (1900). Thinking about these visual representations along with the text provides an interesting conversation, not just regarding how the images and texts interact but how … Read More What Does the Cover Say?
After writing about Ellen Glasgow’s “Jordan’s End,” I picked up William Faulkner’s “Dry September” (1931). While not necessarily in the exact same narrative vein, Faulkner’s story, as with his other works, highlight the ideas of the Southern Gothic, specifically a place of suffocating oppression that does not resemble the idyllic region that authors sought to “recapture” after Reconstruction during the latter part of the … Read More Suffocation and Concealment through Dust in Faulkner’s "Dry September"
Richard Perry Loving and Mildred Jeter Loving If Sydney Bonbon found Marcus and Louise engaged in sexual activity, Aunt Margaret thought about what she would tell the Cajun overseer on Hebert Plantation. She knows that she would not be scared; instead, she would stand her ground and tell him, “I was doing it for your child [Tite]. If you want kill me for protecting … Read More Interracial Relationships and Children in "Of Love and Dust"