Category: george takei

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+ displacement, george takei, James Hatsuaki Wakasa, japanese american internment, japanese incarceration, they called us enemy

Immortality and Memory

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“Memory,” as George Takei puts it in They Called Us Enemy, “is a wily keeper of the past.” It shifts and moves, changing over time. Memory, as well, is the keeper of the past and the means of immortality. It’s the act of remembering that connects us to those whom we have never personally met, not just with people that we tangibly interacted with … Read More Immortality and Memory

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+ comics, earl warren, franklin roosevelt, george takei, graphic memoir, harmony becker, japanese american internment, justin eisinger, they called us enemy, world war ii

The Unproportional Distribution of Shame: Part I

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Guilt and the acknowledgment of wrongdoing constitute one’s feeling of shame. It arises when someone recognizes their culpability in an event or events and feel regret and sadness at their part in the action. On a recent episode of This American Life, Mohamadou Slahi, a man incarcerated at Guantanamo for years before his release, speaks with some of the individuals who interrogated and tortured … Read More The Unproportional Distribution of Shame: Part I

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+ comics, george takei, graphic memoir, graphic novels, japanese american internment, john okada, no-no boy, they called us enemy, world war ii

Home in George Takei’s “They Called Us Enemy” & John Okada’s “No-No Boy”

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Over the course of George Takei’s They Called Us Enemy, home plays an important thematic role. For Takei and his family, what does home actually mean? They live in an incarceration camp for years, and Takei, the oldest of three children, is only about five or six when they enter they camp. His siblings are younger. So, when the order comes from the camps … Read More Home in George Takei’s “They Called Us Enemy” & John Okada’s “No-No Boy”

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+ comics, george takei, graphic memoir, harmony becker, japanese american internment, justin eisinger, they called us enemy

Emotions in the Gutter: Part II

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Last post, I started discussing the separation of illustrations into multiple panels in works such as March and They Called Us Enemy. Today, I want to continue that discussion by looking at some more examples in Takei’s graphic memoir and the ways that Harmony Becker separates larger images into multiple panels to highlight multiple thematic aspects of the narrative, notably the generational trauma that … Read More Emotions in the Gutter: Part II

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+ andrew aydin, comics, george takei, harmony becker, john lewis, justin eisinger, march, nate powell, they called us enemy

The Emotions in the Gutter

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Recently, a colleague asked me to participate in a reading with him. He read selection from his latest poetry collection, and during the Q&A following our readings, he spoke about the ways that he constructed some of the poems he read. During his response, he began to speak about a poem he didn’t read, “Nocturne,” a poem which deals with death, intimacy, and loss. … Read More The Emotions in the Gutter

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