Category: Trespasses

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Language and the Crafting of Anger and Fear

Throughout Louise Kennedy’s Trespasses, language plays an important role in the ways that it defines individuals and creates divisions even where similarities exist. During a session with Michel Agnew and his friends, Cushla teaches them Irish. One of Michael’s friends, Victor, goads Cushla into teaching him the Irish words that would denigrate her as a Catholic, Irish speaker. He tells her, “There are lots of … Read More Language and the Crafting of Anger and Fear

The Palliative Nature of Music in Louise Kennedy’s “Trespasses”

Early in Louise Kennedy’s Trespasses, Gerry Devlin asks Cushla to accompany him to a friend’s house in Belfast for a party. On their way to the house, they encounter a checkpoint manned by young British soldiers. The young soldiers, one of whose “complexion was cratered with acne scars and his mouth smelled of Juicy Fruit,” interrogate and accost Gerry, taking him out of the car … Read More The Palliative Nature of Music in Louise Kennedy’s “Trespasses”