Category: james baldwin

Christianity, Ross Barnett, and White Supremacy: Part II

Note: This is the second part of “Christianity, Ross Barnett, and White Supremacy.” Let’s look back at Romans 13, you know, the chapter that enslavers and the current administration have used to justify slavery and separating families at the border. What gets left out, of course, are verses 8-10 where Paul tells the Roman Christians “to love one another, for whoever loves others has … Read More Christianity, Ross Barnett, and White Supremacy: Part II

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Christianity, Ross Barnett, and White Supremacy: Part I

About halfway through Take this Hammer, James Baldwin stands outside of a burned-out St. Mary’s Cathedral in San Francisco in 1963. Baldwin’s guide tells him about the fire that burned the building, and he tells Baldwin that as a result of the fire “the Catholic Church was able to raise fifteen million dollars to build another cathedral” in only nine months. Baldwin laughs and … Read More Christianity, Ross Barnett, and White Supremacy: Part I

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Adjectives Are the Enemies of Nouns

This semester in the LES Studies Course, we just finished Jennine Capó Crucet’s My Time Among the Whites: Notes from an Unfinished Education. Crucet’s essays, in relation to what we have read from Lillian Smith and Ibram X. Kendi provide countless points for discussion, and I today I want to focus on one of those points: the ways that labels define others and construct … Read More Adjectives Are the Enemies of Nouns

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Lorraine Hansberry’s “A Raisn in the Sun” Lecture: Part I

My final lecture last fall for the American literature course at the University of Bergen was on Lorraine Hansberry’s A Raisin in the Sun. A couple of years ago, I wrote about the presence of Big Walter on stage during a performance in Boston that was directed by Liesl Tommy. As well, I have discussed my other lectures fro the American Literature class: Introductory … Read More Lorraine Hansberry’s “A Raisn in the Sun” Lecture: Part I

David Walker’s “Cyborg” and Identity: Part II

Last post, I started looking at David Walker’s Cyborg, and I noted that his arc, “Unplugged,” is not an origin story about how Victor Stone became Cyborg. Instead, it is an arc chronicling how Victor Stone, as Cyborg, becomes Victor Stone. It’s an arc tracing how Victor Stone becomes visible to his family and society. It’s an arc that, at its core, encapsulates the … Read More David Walker’s “Cyborg” and Identity: Part II