Tag: dc comics

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Credibility and What One Believes in Carmen Maria Machado and Dani’s “The Low, Low Woods”

When Jaydn DeWald introduced me to Carmen Maria Machado and Dani’s The Low, Low Woods, I knew that I wanted to include it in my “Monsters, Race, and Comics” class. Jaydn also introduced me to Machado’s “The Husband Stitch,” and before starting The Low, Low Woods we read and discussed Machado’s story in class. One of the overarching themes in both texts deals with the discrediting of … Read More Credibility and What One Believes in Carmen Maria Machado and Dani’s “The Low, Low Woods”

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Hate, the Oldest Commodity, in “Superman Smashes the Klan”

Hate sells, and it’s profitable as hell. This isn’t anything new or revelatory, I know. Lillian Smith pointed it out in Killers of the Dream when she talked about wealthy whites, in order to maintain their power, enlisted poor whites in hate against African Americans and others following Reconstruction and into the Jim Crow era and beyond, flattening whiteness. Martin Luther King, Jr. pointed … Read More Hate, the Oldest Commodity, in “Superman Smashes the Klan”

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Self-Interest and The Common Good in “Suicide Squad” #4

Over the course of this blog, I’ve written, extensively, about the ways that comics address political and social issues. The “preachies” in EC Comics are perhaps the most obvious examples of this. Today, I want to look at May 1987’s Suicide Squad #4 written by John Ostrander and drawn by Luke McDonnell. “William Hell’s Overture” is a self-contained story early Ostrander’s Suicide Squad run, … Read More Self-Interest and The Common Good in “Suicide Squad” #4