Category: african american literature

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+ african american literature, american literature, early american literature, enslaved, Literature, louisiana literature, slave narrative, slavery, solomon northup, southern literature, the slave's narrative, twelve years a slave

The Juxtaposition of Beauty and Brutality in Solomon Northup’s Twelve Years a Slave

by Unknown's avatar

During an interview with Henry Louis Gates, Jr., Steve McQueen commented on the juxtaposition between beauty and horror in his film adaptation of Twelve Years a Slave (2013). I have written about this before in regards to the scene where Tibeats attempts to lynch Nortup. Today, I want to expand upon that discussion some more, especially after recently rereading Northup’s narrative. This time around, … Read More The Juxtaposition of Beauty and Brutality in Solomon Northup’s Twelve Years a Slave

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+ african american literature, american literature, civil rights memorial, going to meet the man, james baldwin, rosa parks museum, southern literature, southern poverty law center, todd robertson, troy university, Uncategorized

“What are we teaching when __________?” Part II of “Why can’t we just move on? The past is the past.”

by Unknown's avatar

Last weekend, I took a trip to Montgomery to visit the SPLC’s Civil Rights Memorial and the Rosa Parks Museum and Library. While at the Civil Rights Memorial, I came across an image that made me think about a lot of the recent posts I have been writing. Specifically, it made me think about my last post that seeks to explain why the past … Read More “What are we teaching when __________?” Part II of “Why can’t we just move on? The past is the past.”

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+ african american literature, american literature, an appeal to the colored citizens of the world, andy mineo, david walker, early american literature, enslaved, Literature, louisiana literature, notes on the state of virginia, slave narrative, slavery, solomon northup, southern literature, thomas jefferson, twelve years a slave, william ford

“Why can’t we just move on? The past is the past.”

by Unknown's avatar

My own people owned people, but they don’t own that They say racism’s dead, man our President is black Two terms in the White House, that don’t mean jack If we still believe our present ain’t affected by our past–Andy Mineo “Uncomfortable” One question I hear over and over again when I speak or write about the history of racism, subjugation, and oppression in … Read More “Why can’t we just move on? The past is the past.”

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+ african american literature, american literature, cherokee, daniel, early american literature, john marrant, john the baptist, Literature, native american literature, race, southern literature, Uncategorized

Preaching in the Wilderness: John Marrant and John the Baptist

by Unknown's avatar

I enjoy teaching John Marrant’s A Narrative of the Lord’s Wonderful Dealing with John Marrant, A Black (1785) for various reasons, chief among them being that Marrant’s narrative destabilizes students’ perceptions about African Americans during the early years of the republic in similar ways that Sarah Kemble Knight does with women during the colonial period and William Apess does with Native Americans later in … Read More Preaching in the Wilderness: John Marrant and John the Baptist

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+ african american literature, african americans, american literature, benton's row, buford, cindy, frank yerby, Literature, louisiana literature, mary ann benton, myth, paine college, sarah benton, southern history, southern literature, southern studies, southern womanhood, the foxes of harrow, the old south, tom benton, Uncategorized, wade benton

Frank Yerby’s Benton’s Row and Southern Womanhood

by Unknown's avatar

In its review (above) of Frank Yerby's Benton's Row (1954), Jet Magazine mentions the novel's early narrative arc that follows Tom Benton's arrival in the Louisiana community and his relationship with Sarah. The reviewer comments that Tom "is not at all unlike all the other Yerby heroes" and that "in the typical Yerby mold [Tom] emerges as a thoroughgoing rascal, an opportunist who seizes what … Read More Frank Yerby’s Benton’s Row and Southern Womanhood

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