Category: Uncategorized

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Charles Chesnutt and the Plantation Tradition

Last week, I wrote about race in two local stories by George Washington Cable and Kate Chopin. Over the next couple of posts, I want to look at the ways that authors such as Charles Chesnutt and Paul Laurence Dunbar work to counter the plantation tradition and specifically the continued perpetuation of an idealized South during the latter part of the nineteenth century and … Read More Charles Chesnutt and the Plantation Tradition

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Kate Chopin’s “Désirée’s Baby” and the Social Constrction of Race

Last post, I wrote about the idea of race as a social construct  in George Washington Cable’s “‘Tite Poulette.” Today, I want to examine another story set in Louisiana and how it highlights race as a social construct. To that end. I will discuss Kate Chopin’s “Désirée’s Baby,” a story that originally appeared in Vogue in 1893. Like Cable’s story, “Désirée’s Baby” challenges the … Read More Kate Chopin’s “Désirée’s Baby” and the Social Constrction of Race

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George Washington Cable’s “‘Tite Poulette” and Race

Last week, I wrote about Sui Sin Far and her discussion of nationality and nationhood in Leaves from the Mental Portfolio of a Eurasian. Far highlights the arbitrary nature of of the term “nation,” and rather than holding “nationality” up for honor, she lifts individuality in its place. In a similar manner, George Washington Cable, throughout his works, illuminates the social constructions of race … Read More George Washington Cable’s “‘Tite Poulette” and Race

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Sarah Orne Jewett’s Fairy Tale: “A White Heron”

In A Jury of Her Peers, Elaine Showalter comments that Sarah Orne Jewett’s “A White Heron” is “a fairy tale about a New England princess who refuses to be rescued from her isolation by the handsome prince” (192). Showalter’s description of Jewett’s story as “a fairy tale” caught my attention, and today I want to look at how we can read “A White Heron” … Read More Sarah Orne Jewett’s Fairy Tale: “A White Heron”

Sui Sin Far, Nationality, and the American Melting Pot

Sui Sin Far (Edith Maude Eaton) begins the final paragraph of  her “Leaves from the Mental Portfolio of a Eurasian” (1909) with two sentences that sum up her argument throughout: “After all I have no nationality and am not anxious to claim any. Individuality is more than nationality” (252). These two sentences challenge our understanding of “nation” and “nationalism” in a similar way that … Read More Sui Sin Far, Nationality, and the American Melting Pot