Category: american literature

The Lion’s Presence in Arna Bontemps’s "Mr. Kelso’s Lion"

At the beginning of Ralph Ellison’s Invisible Man (1952), the narrator relates the story of his grandfather’s death and the lesson that the old man wanted his son to know. He told him, “Live with your head in the lion’s mouth. I want you to overcome ’em with yeses, undermine ’em with grins, agree ’em to death and destruction, let ’em swollen you till … Read More The Lion’s Presence in Arna Bontemps’s "Mr. Kelso’s Lion"

"Benevolence" in James Wilcox’s "Modern Baptists"

A couple of weeks ago, I noted some similarities between James Wilcox’s Modern Baptists (1983), Walker Percy’s The Moviegoer (1961), and John Kennedy Toole’s A Confederacy of Dunces (1980). Today, I want to look at the African American presence in two of Wilcox’s novels: Modern Baptists and Hunk City (2007). I have covered this topic in relation to Percy’s novel before, and you can … Read More "Benevolence" in James Wilcox’s "Modern Baptists"

King Philip, William Apess, and the Emergence of a Distinct American Literature

Paul Revere’s caricature of King Philip (1772) Last post, I wrote briefly about Philip F. Gura’s biography of William Apess, and I discussed some of the links between Apess and Hosea Easton. Along with the links between Apess and the abolitionist movement, I have been intrigued with the relationship between Apess and the literary production of the period. Gura speaks to this topic some; … Read More King Philip, William Apess, and the Emergence of a Distinct American Literature

Ira Aldridge’s "The Black Doctor"

James V. Hatch and Ted Shine’s two-volume Black Theatre USAhas graced my bookshelf for a few years. Occasionally, I pull one of the volumes down to read or reread a play. A couple of weeks ago, I pulled down volume one and read Ira Aldrige‘s translation of Auguste Anicet-Bourgeois’sLe Docteur Noir (1846). Aldridge’sĀ The Black Doctor (1846) contains differences from Anciet-Bourgeois’s original play and other … Read More Ira Aldridge’s "The Black Doctor"

Photography in Lyle Saxon’s "Children of Strangers" and Alice Walker’s "Everyday Use"

As I reread Lyle Saxon’s Children of StrangersĀ (1937) for the 2016 NEH Summer Institute “Ernest J. Gaines and the Southern Experience,” I couldn’t help but think about the idea of authenticity and reality when I came to the final section in the book. There, Flossie Smith, Adelaide Randolph’s friend, encounters the fallen Famie as she leaves Easter service with Henry Tyler. Upon first meeting … Read More Photography in Lyle Saxon’s "Children of Strangers" and Alice Walker’s "Everyday Use"