While Ram V and Anand RK’s Blue in Green, as I discussed in my previous post, examines the ways that we use memories to create life, it also looks at the ways that pain and suffering impact creativity and the ways that the pain that the artist uses to produce a work of art remains, long after the artist’s passing. This is a theme I’ve been … Read More Memory Creates Life: Part II
Lillian Smith’s One Hour (1959) is a complex novel that examines a myriad of societal and existential questions from the influence of racism and patriarchy on one’s psyche to the ways we remember and think about death. The novel centers around what Smith calls a “minor plot.” David Landrum, the Episcopal Priest at All Saints Church in the town, narrates the story, writing about the events, … Read More Memory Creates Life: Part I
+ atlanta, comics, deathlok, three slaps
Recently, we’ve been reading and discussing Greg Anderson Elysée’s Is’Nana The Were-Spider in my “Monsters, Race, and Comics” course. Over the course of the semester so far, I have referenced “Three Slaps,” the first episode of Atlanta season 3. I’ve referred to this episode specifically because it, and the series as a whole, addresses a myriad of concepts and themes that we have been covering throughout the class. … Read More The Illusion of Whiteness in Atlanta’s “Three Slaps”
+ anansi, comics, ethnogothic, gothic literature, Greg Anderson Elysée, is'nana the were spider, Uncategorized
Every semester, I include a few texts on my syllabus that I have never read, so I get to encounter the texts for the first time alongside my students. For my “Monsters, Race, and Comics” class, someone (I apologize but I forgot who) suggested that check out Greg Anderson Elysée’s Is’Nana The Were-Spider. I read a description of the series and added it to my syllabus. IsNana … Read More The Importance of Stories in Greg Anderson Elysée’s “Is’Nana The Were Spider”
Looking through historical documents, specifically British court documents, related to the 1712 slave revolt in New York, Rebecca Hall encounters the names of four women involved in the revolt. However, their testimony doesn’t exist within the record. Instead, it simply reads, in reference to one of the women, “Having nothing to say for herself than what she had previously said . . .” The … Read More Silence and the Reclamation of Voice in Rebecca Hall and Hugo Martínez’s “Wake”
Interminable Rambling 