Category: comics

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+ african american literature, american literature, comics, Damian Duffy, gothic literature, graphic novels, John Jennings, kindred, octavia butler, race, slavery, southern literature

Conveying Emotion in Duffy and Jennings’ Adaptation of Octavia Butler’s “Kindred”

by Unknown's avatar

One of the key aspects of reading comics and graphic novels is paying attention not just to the words but also to the visual images that accompany them. Both the words and the images work together to create an experience that, to me, resembles a melding of a printed text and movie. When I read the March trilogy and The Silence of Our Friends, … Read More Conveying Emotion in Duffy and Jennings’ Adaptation of Octavia Butler’s “Kindred”

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+ african american literature, american literature, azzuri, black panther, captain america, captain america/black panther: flags of our fathers, comics, everett k ross, marvel, marvel cinematic universe, marvel comics, reginald hudlin, steve rogers, t'challa, wakanda, world war ii

The “Double V Campaign” in “Captain America/Black Panther: Flags of Our Fathers”

by Unknown's avatar

Recently, I’ve been writing about Christopher Priest’s Black Panther, specifically about Priest’s use of Everett K. Ross, “Emperor of Useless White Boys,” as the narrative voice of the book. Today, I want to look at some of Reginald Hudlin’s work as head of Black Panther. I have read a couple of issues of Hudlin’s run, but I do not want to focus on those … Read More The “Double V Campaign” in “Captain America/Black Panther: Flags of Our Fathers”

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+ african american literature, american literature, black panther, christopher priest, comics, everett k ross, invisible man, marvel, marvel cinematic universe, marvel comics, mephisto, narrative, ralph ellison, t'challa

Everett K. Ross as Mephisto? Positioning in Christopher Priest’s Black Panther

by Unknown's avatar

In the previous post, I wrote about the narrative point-of-view (pov) in Christopher Priest’s Black Panther (1998-2003). There, I discussed Priest’s comments about placing Everett K. Ross as the narrator of Black Panther and how that narrative position related to the work of Quentin Tarantino. Today, I want to look at a shift that occurs in issue #34, part one of “Gorilla Warfare.” Ross’ … Read More Everett K. Ross as Mephisto? Positioning in Christopher Priest’s Black Panther

+ adam glass, african american literature, american literature, black panther, cecil brown, comics, jungle action, luke cage, marvel, marvel comics, mike benson, noir, stagolee

Luke Cage, Stagolee, and the Importance of Myth

by Unknown's avatar

Mike Benson and Adam Glass’Luke Cage Noir (2009-2010) pulls from a Noir aesthetic full of femme fatales, double crosses, and private eyes all within Prohibition Era Harlem. The story turns Luke Cage into a Noir protagonist that struggles with life outside of prison, ultimately killing himself at the end of issue #4. It is Luke Cage’s death that struck me in this story, and … Read More Luke Cage, Stagolee, and the Importance of Myth

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+ african american literature, american literature, captain america, comics, david walker, early american literature, Isiah Bradley, Literature, marvel comics, robert morales, sho baraka, thomas jefferson, truth: red, white, and black, walt whitman

Unheard Voices and “Truth: Red, White, and Black”

by Unknown's avatar

Put a dollar to your ear, you can hear the moaning of a slave America the great was built off the labor that they gave–Sho Baraka “Maybe Both, 1865” Over the past few weeks, I have been reading through various story arcs and volumes in the Marvel Universe. Specifically, I am reading Christopher Priest’s Black Panther (1998-2003), Mike Benson’s Luke Cage: Noir (2009), and … Read More Unheard Voices and “Truth: Red, White, and Black”

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