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Horses, Manhood, and Power in Ernest J. Gaines

When Django and Dr. King Schultz ride into Daughtrey, Texas, near the beginning of Quentin Tarantino’s Django Unchained (2012), the white townspeople freeze, staring in shock at an African American riding a horse next to a white man driving a carriage. Django does not drive the carriage, as would be expected of an African American servant or slave. Django rides through the streets on … Read More Horses, Manhood, and Power in Ernest J. Gaines

Lecrae’s "Deja Vu" and "Misconceptions 3" and Time and Place

Last post, I started a discussion of Lecrae’s Church Clothes 3. Today, I want to finish a brief analysis of the short film that contains four songs from the album. At the end of the “Gangland” section of Lecrae’s Church Clothes short film, an African American male falls in the street after a drive by. The camera pulls out and shows the body on … Read More Lecrae’s "Deja Vu" and "Misconceptions 3" and Time and Place

Lecrae’s "Church Clothes 3" and Place

On Saturday, BeyoncĂ© dropped a new song and music video for “Formation.” The move, in effect, broke the Internet. I could spend this time talking about the video and its numerous messages, layers upon layers, that need to be peeled back, taken in, and digested before I can provide any adequate analysis. Others have already done a better job at that aspect than I … Read More Lecrae’s "Church Clothes 3" and Place

James Wilcox’s "Modern Baptists": Bobby Pickens, Ignatius Reilly, and Binx Bolling

Toni Morrison, in a 1998 US News and World Report article, called James Wilcox’s Modern Baptists (1983) one of her three “favorite works by unsung writers.” This, of course, is high praise coming from such a luminary in American letters, and one read through Wilcox’s novel will more than live up to Morrison’s claim. Last week, I reread Wilcox’s first novel in preparation for … Read More James Wilcox’s "Modern Baptists": Bobby Pickens, Ignatius Reilly, and Binx Bolling

King Philip, William Apess, and the Emergence of a Distinct American Literature

Paul Revere’s caricature of King Philip (1772) Last post, I wrote briefly about Philip F. Gura’s biography of William Apess, and I discussed some of the links between Apess and Hosea Easton. Along with the links between Apess and the abolitionist movement, I have been intrigued with the relationship between Apess and the literary production of the period. Gura speaks to this topic some; … Read More King Philip, William Apess, and the Emergence of a Distinct American Literature