Category: quentin tarantino

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+ alice walker, denys cowan, django unchained, ernest j gaines, film, quentin tarantino, reginald hudlin, vertigo comics

Broomhilda and the History of Slavery in “Django Unchained”

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Reginald Hudlin’s comic adaptation of Quentin Tarantino’s Django Unchained (2012) contains some scenes that did not make it into the final cut of the film. One of these sequences involves how Broomhilda Von Shaft came to be Calvin Candie’s property. The sequence provides an important narrative plot point in the comic, and it also provides a space for some very important discussions about the … Read More Broomhilda and the History of Slavery in “Django Unchained”

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+ african american literature, american literature, black panther, christopher priest, django unchained, everett k ross, Literature, marvel, marvel cinematic universe, marvel comics, pulp fiction, quentin tarantino, t'challa, the hateful eight

Everett K. Ross “Emperor of Useless White Boys” in Christopher Priest’s Black Panther

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Over the past few weeks, I have been working my way through Christopher Priest’s Black Panther (1998-2003). There are numerous aspects of Priest’s run that could, and should, be discussed; however, I want to focus on one aspect that I have been looking at in other works as well, the narrative point-of-view (pov). For Black Panther, Priest chose to convey the story from the … Read More Everett K. Ross “Emperor of Useless White Boys” in Christopher Priest’s Black Panther

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+ african american literature, american literature, ernest j gaines, ghosts of ole miss, louisiana literature, neh summer institute, neh.gov, quentin tarantino, southern literature, star wars: the force awakens, the hateful eight, Uncategorized, william faulkner

Some Pedagogical Takeaways from the NEH Summer Institute

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Part of this post appears in “‘I think Aladdin looked kinda white’: Teaching Cultural Projection in the Classroom” on the Pedagogy and American Literary Studies’ blog. The links throughout provide more insight into the technique being discussed.  During the NEH Summer Institute, Ernest J. Gaines and the Southern Experience, pedagogy was a big topic of discussion. Throughout the institute, the visiting lecturers and scholars shared with … Read More Some Pedagogical Takeaways from the NEH Summer Institute

+ african american literature, http://schemas.google.com/blogger/2008/kind#post, neh summer institute, of love and dust, quentin tarantino, southern literature, the autobiography of miss jane pittman

Horses, Manhood, and Power in Ernest J. Gaines

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When Django and Dr. King Schultz ride into Daughtrey, Texas, near the beginning of Quentin Tarantino’s Django Unchained (2012), the white townspeople freeze, staring in shock at an African American riding a horse next to a white man driving a carriage. Django does not drive the carriage, as would be expected of an African American servant or slave. Django rides through the streets on … Read More Horses, Manhood, and Power in Ernest J. Gaines

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