Category: Literature

+ american literature, arnold friend, bob dylan, gothic literature, joyce carol oates, Literature, music, research, the salesman denver max, Uncategorized, where are you going, where have you been?

The Blood Brothers’ “The Salesman, Denver Max” and Joyce Carol Oates

by Unknown's avatar

From the very beginning, Joyce Carol Oates brings music to the forefront of her widely anthologized short story “Where Are You Going, Where Have You Been?” with the dedication that simply reads, “For Bob Dylan” (1003). Other people have written on the ways that Dylan’s “It’s All Over Now, Baby Blue” and “Mr. Tambourine Man” from Bringing It All Back Home (1965) work in … Read More The Blood Brothers’ “The Salesman, Denver Max” and Joyce Carol Oates

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+ african american literature, american literature, caribbean literature, cla, claude mckay, early american literature, elizabeth nunez, jesmyn ward, kayne west, Literature, louisiana literature, mississippi literature, southern literature, toni morrison, Uncategorized

Some Reflections on CLA 2017

by Unknown's avatar

Over that past 14-15 years, I have attended numerous academic conferences, typically 1-2 per year. That means I have gone to about 28-30 during that time span. Initially, when I would go to a conference, even one with hundreds of people, I would feel alone and somewhat isolated because, as a graduate student and instructor, I did not necessarily know how to take full … Read More Some Reflections on CLA 2017

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+ american literature, august wilson, cat on a hot tin roof, colorblind casting, douglas turner ward, gothic literature, james earl jones, Literature, mississippi literature, phylicia rashad, race, southern gothic, southern literature, tennessee williams, terrence howard, Uncategorized

Colorblind Casting and Tennessee Williams’ “Cat on a Hot Tin Roof”

by Unknown's avatar

Last post, I wrote about the racial undercurrents that populate Tennessee Williams’ Cat on a Hot Tin Roof (1955). Today, I want to briefly discuss the 2008 Broadway performance of the play with an all black cast starring James Earl Jones, Phyilcia Rashad, Terrence Howard,  Anika Noni Rose, and others. While all of the actors in the Broadway performance are phenomenal across the board, … Read More Colorblind Casting and Tennessee Williams’ “Cat on a Hot Tin Roof”

+ african american literature, american literature, arna bontemps, chris washington, film, get out, invisible man, jordan peele, lion, Literature, movie, mr kelso's lion, ralph ellison, rose armitage, the old south, Uncategorized

Stuffed Lion in “Get Out”?

by Unknown's avatar

Finally, during its third week in theaters, I saw Get Out (2017). Plenty of people have commented on the film; however, there are two aspects of the film that I have not found anyone discussing: the stuffed lion that sits on the nightstand next to Rose Armitage’s bed and the use of Childish Gambino’s “Redbone”playing over the audience’s first introduction to Chris Washington as … Read More Stuffed Lion in “Get Out”?

+ african american literature, african americans, american literature, Literature, mississippi literature, richard wright, Uncategorized, uncle tom's children, uncle tom's children. afircan american literature, when the roll in called up yonder

“When the Roll is Called Up Yonder” in Richard Wright’s “Long Black Song”

by Unknown's avatar

As I reread Richard Wright’s “Long Black Song” from Uncle Tom’s Children (1938), I again thought about the role of music in Wright’s work. I have written about this before in relation to the epigraph for Wright’s collection and in relation to the song that appears in “Big Boy Leaves Home.” Today, I want to briefly look at the way that the hymn “When … Read More “When the Roll is Called Up Yonder” in Richard Wright’s “Long Black Song”

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