Category: pornsak pichetshote

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Fears of Invasion in Pornsak Pichetshote and Alexandre Tefengki’s “The Good Asian”

Last post, I looked at the first few pages of Pornsak Pichetshote and Alexandre Tefengki’s The Good Asian, specifically the ways that the pages foreground a lot of the themes throughout the series. Today, I want to continue that examination by looking at the first page of issue #3. These pages, likes the first two in the series, highlight the historical aspects of The Good Asian, notably the … Read More Fears of Invasion in Pornsak Pichetshote and Alexandre Tefengki’s “The Good Asian”

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The Walls That Separate Us in Pornsak Pichetshote and Alexandre Tefengki’s “The Good Asian”

I first read Pornsak Pichetshote and Aaron Campbell’s Infidel about five years ago, and after reading it, I decided to teach it in my “Monsters, Race, and Comics” course. Since I first read Infidel, I have picked up anything that Pichetshote has written, from Man’s Best and The Sandman Universe: Dead Boy Detectives to his writing and editorial work on The Horizon Project. I have always enjoyed his work, and when I … Read More The Walls That Separate Us in Pornsak Pichetshote and Alexandre Tefengki’s “The Good Asian”

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Lost Voices in American Literature Course

This semester, I’m teaching a Lost Voices in America literature course. I knew, from the outset, that I wanted to frame this course around noir, thrillers, and mysteries, including writers such as S.A. Cosby and Annette Clapsaddle. With that in mind, I constructed a broad course that incorporates Southern noir, Afrofuturism, mysteries, and more. I also made a point to include two graphic texts, … Read More Lost Voices in American Literature Course

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Reflections of the Self in “Infidel”: Part III

When Leslie sees the reflection of the racist, xenophobic, and Islamophobic monster staring back at her in the knife blade in Infidel, we begin to see her own self-reflection of the deep rooted prejudices she holds, specifically during her conversation with her granddaughter Kris. Other characters see the same type of reflection, notably Ethan, or they don’t, notably Grace who I discussed in the … Read More Reflections of the Self in “Infidel”: Part III

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Reflections of the Self in “Infidel”

As I prepared to teach Pornsak Pichetshote, Aaron Campbell, and Jose Villarrubia’s Infidel, a lot of things stuck out. However, when I reread the haunted house story where the monsters that terrorize the characters are the manifestations of racism, xenophobia, and Islamophobia, I became intrigued by a few specific scenes where the monsters appear in the reflections of objects such as knives and mirrors. … Read More Reflections of the Self in “Infidel”