Category: african american literature

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+ african american art, african american literature, african americans, france, race, william gardner smith

“Come die with me!”: Whiteness in William Gardner Smith’s “The Stone Face”

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Last post, I started looking at William Gardner Smith’s The Stone Face, a novel that, as Adam Shatz points out, presents whiteness not as a racial trait but as “a synonym for situational privilege.” Today, I want to continue that discussion by looking at Simeon’s dream sequence after he speaks with the Algerians at the cafe who call him “white.” This sequence takes place … Read More “Come die with me!”: Whiteness in William Gardner Smith’s “The Stone Face”

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+ african american art, african american literature, african americans, colonization, france, race, william gardner smith

“How does it feel to be a white man?” William Gardner Smith’s “The Stone Face”

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Working on my syllabus for my upcoming “Black Expatriate Writers in France” class, I came across William Gardner Smith’s The Stone Face (1963), and even though the course focuses on Southern France (Marseille and Nice), I decided to include Smith’s novel, which is set in Paris, because of its depiction of French colonial racism against Algerians and itd depiction of the Paris Massacre of … Read More “How does it feel to be a white man?” William Gardner Smith’s “The Stone Face”

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+ african american literature, france, harlem renaissance, history, jessie fauset, Literature, race

Jessie Redmon Fauset’s “Comedy: American Style” and the Psychological Impact on Racism

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As I was constructing my syllabus for my upcoming “Black Expatriate Writers in France” syllabus, I wanted to make sure I had at least one text by an African American woman author. Since I as focusing on the South of France, specifically Provence (Avignon, Marseille, and Nice), I wanted texts that either took part, entirely, in the region or partly in the region. I … Read More Jessie Redmon Fauset’s “Comedy: American Style” and the Psychological Impact on Racism

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+ african american literature, france, harlem renaissance, jessie fauset, Literature

The Tongue Kindles a Great Fire in Jessie Redmon Fauset’s “Comedy: American Style”

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Jessie Redmon Fauset’s Comedy: American Style opens with a description of Olivia Cary (née Blanchard), at the age of nine before she “had attained to that self-absorption and single-mindedness which were to to stamp her later life.” Preceding her “self-absorption,” Olivia thought about a text she read in Sunday School: “Behold how great a matter a little fire kindleth” (James 3:5b). At first, the … Read More The Tongue Kindles a Great Fire in Jessie Redmon Fauset’s “Comedy: American Style”

+ african american art, african american literature, african americans, france, marseille, Pedagogy, study travel

The Pan-Mediterranean Marseille

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We’re fully immersed in the “Black Expatriate Writers in France” course in the South of France. As I prepared for this course, I read all of the texts I’m teaching , and I also started to dive into other texts in preparation for the trip. Specifically, I reread Alexandre Dumas’ The Count of Monte Cristo, and I finally read, even though it takes place … Read More The Pan-Mediterranean Marseille

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