Category: american literature

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+ american literature, bible, god, gothic literature, joyce carol oates, judges 19, Literature, the blood brothers, the salesman, denver max, Uncategorized, where are you going, where have you been?

Judges 19 and Arnold Friend’s Enigmatic Code

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On Tuesday, I wrote about the ways that The Blood Brothers’ “The Salesman, Denver Max” musically fits the tone—the ebbs and flows—of Joyce Carol Oates’ “Where Are You Going, Where Have You Been?” I didn’t expect to add another blog post on this story, but after teaching it, I recalled how much the story warrants multiple examinations. With that in mind, I want to … Read More Judges 19 and Arnold Friend’s Enigmatic Code

+ american literature, arnold friend, bob dylan, gothic literature, joyce carol oates, Literature, music, research, the salesman denver max, Uncategorized, where are you going, where have you been?

The Blood Brothers’ “The Salesman, Denver Max” and Joyce Carol Oates

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From the very beginning, Joyce Carol Oates brings music to the forefront of her widely anthologized short story “Where Are You Going, Where Have You Been?” with the dedication that simply reads, “For Bob Dylan” (1003). Other people have written on the ways that Dylan’s “It’s All Over Now, Baby Blue” and “Mr. Tambourine Man” from Bringing It All Back Home (1965) work in … Read More The Blood Brothers’ “The Salesman, Denver Max” and Joyce Carol Oates

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+ african american literature, american literature, Genarao Kỳ Lý Smith, louisiana literature, southern literature, The Land Baron's Sun, Uncategorized, university of louisiana press

Genaro Kỳ Lý Smith’s “Fidèle”and Intrusion

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Recently, I taught Genaro Kỳ Lý Smith’s The Land Baron’s Sun: The Story of Lý Loc and His Seven Wives (2014) for the first time, and during this read through, I began to think about the topic of the American Dream even more along with colonization and intrusion. These themes pop up in numerous poems throughout the collection, and I have written about them before. Today, … Read More Genaro Kỳ Lý Smith’s “Fidèle”and Intrusion

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+ african american literature, american literature, caribbean literature, cla, claude mckay, early american literature, elizabeth nunez, jesmyn ward, kayne west, Literature, louisiana literature, mississippi literature, southern literature, toni morrison, Uncategorized

Some Reflections on CLA 2017

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Over that past 14-15 years, I have attended numerous academic conferences, typically 1-2 per year. That means I have gone to about 28-30 during that time span. Initially, when I would go to a conference, even one with hundreds of people, I would feel alone and somewhat isolated because, as a graduate student and instructor, I did not necessarily know how to take full … Read More Some Reflections on CLA 2017

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+ american literature, august wilson, cat on a hot tin roof, colorblind casting, douglas turner ward, gothic literature, james earl jones, Literature, mississippi literature, phylicia rashad, race, southern gothic, southern literature, tennessee williams, terrence howard, Uncategorized

Colorblind Casting and Tennessee Williams’ “Cat on a Hot Tin Roof”

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Last post, I wrote about the racial undercurrents that populate Tennessee Williams’ Cat on a Hot Tin Roof (1955). Today, I want to briefly discuss the 2008 Broadway performance of the play with an all black cast starring James Earl Jones, Phyilcia Rashad, Terrence Howard,  Anika Noni Rose, and others. While all of the actors in the Broadway performance are phenomenal across the board, … Read More Colorblind Casting and Tennessee Williams’ “Cat on a Hot Tin Roof”

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