Category: american literature

“When the Roll is Called Up Yonder” in Richard Wright’s “Long Black Song”

As I reread Richard Wright’s “Long Black Song” from Uncle Tom’s Children (1938), I again thought about the role of music in Wright’s work. I have written about this before in relation to the epigraph for Wright’s collection and in relation to the song that appears in “Big Boy Leaves Home.” Today, I want to briefly look at the way that the hymn “When … Read More “When the Roll is Called Up Yonder” in Richard Wright’s “Long Black Song”

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Some Questions about Teaching Eugene O’Neill’s “The Emperor Jones”

Recently, I taught Eugene O’Neill’s The Emperor Jones (1920) in my American literature survey course (1865-present). As I prepared to discuss the play with students, I struggled with what angle to take when exploring a text that contains stereotypical images of African Americans as well as images and sections that counter stereotypical assumptions about African Americans. Eventually, I settled on presenting both aspects to … Read More Some Questions about Teaching Eugene O’Neill’s “The Emperor Jones”

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Minnie Cooper and John McClendon in Faulkner’s “Dry September”

Last Thursday, I wrote about the “blank spaces” in William Faulkner’s “Dry September” and some works by Ernest J. Gaines. Today, I want to look at a couple of scenes in Faulkner’s story and discuss the ways that Faulkner delves into the psychological effects of lynchings and racial violence on the perpetrators themselves. As such, I will briefly discuss Minnie Cooper and John McClendon … Read More Minnie Cooper and John McClendon in Faulkner’s “Dry September”

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The Blank Spots in Faulkner’s “Dry September” and Ernest Gaines

I’ve written about the image of dust in William Faulkner’s “Dry September” (1931) on this blog before, and today I would like to look at another aspect of Faulkner’s story that struck me as I reread it recently. Faulkner never shows McClendon and the mob lynch Will Mayes; however, we know that is exactly what happens because as they return in the car, Hawkshaw … Read More The Blank Spots in Faulkner’s “Dry September” and Ernest Gaines

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Charlotte Perkins Gilman’s “The Housewife” & Susan Glaspell’s “Trifles”

When getting ready to teach Susan Glaspell’s Trifles (1916) last week, I found myself looking through the anthology I am using for some poems to go along with the play. I found a couple by Amy Lowell and Edna St. Vincent Millay that would have possibly worked; however, none of them captured the spirit of Minnie Wright’s confinement and pain quite like Charlotte Perkins … Read More Charlotte Perkins Gilman’s “The Housewife” & Susan Glaspell’s “Trifles”