Category: a gathering of old men

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Confronting Ourselves and The Fear of Action

Over the years, I have thought about the reasons why individuals continue to cling tightly to their beliefs, beliefs based in fear that spawn hatred. I’ve struggled to come to grips with this aspect of humanity and to untangle its roots. What I have come to realize is that change and growth cannot occur until one decides to come face to face with themselves. … Read More Confronting Ourselves and The Fear of Action

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Capitalism in Ernest Gaines’ “A Gathering of Old Men”

Last post, I started looking at the ways that capitalism structures society in Ernest Gaines’ A Gathering of Old Men. Using Karl Marx’s “Preface” from A Critique of Political Economy, I noted how legal and social structures arise from the foundation of capitalism, working in tandem to construct the superstructure that separate individuals from one another based on wealth and power. Today, I want … Read More Capitalism in Ernest Gaines’ “A Gathering of Old Men”

Who is the Villain in Ernest J. Gaines’ “A Gathering of Old Men”?

Recently, I had a conversation with Jennifer Morrison, for my Multicultural American Literature class, on Ernest Gaines’ A Gathering of Old Men. At one point, we began talking about Fix and the ways that Gaines represents him, specifically through the eyes of an outsider to the community, Sully. This topic led me to eventually ask, “Who is the villain in the novel?” On the … Read More Who is the Villain in Ernest J. Gaines’ “A Gathering of Old Men”?

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What keeps us from acting?

Lillian Smith wrote Now is the Time (1955) in reaction to the Supreme Court’s decision in Brown v. Board of Education. Smith saw the decision as every child’s Magna Carta, and in Now is the Time, she laid out that in order to move forward, we must act. The book, in essence, as Rose Gladney and Lisa Hodgens put it, “crystallized approximately two decades … Read More What keeps us from acting?

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Interracial Intimacy in Ernest Gaines’ “Bloodline”

As I read Ernest Gaines’ “Bloodline” recently, the interactions between ‘Malia and Frank Laurent stood out. The story, essentially, centers around Copper, the son of Frank’s brother Walter who raped Copper’s mother. Copper has returned to the Laurent plantation to claim what is his, by birth. Essentially, he arrives to overthrow the system that denies him an existence due to the fact that his … Read More Interracial Intimacy in Ernest Gaines’ “Bloodline”