In “Eternal Fascism: Fourteen Ways of Looking at a Blackshirt,” Umberto Eco lists out features of fascism and points out that “it is enough that one of them be present to allow fascism to coagulate around us.” Traditionalism, the longing for a mythological past, looms larges as one of the defining features of fascism. This gazing backwards, immediately raises a wall to learning and … Read More Florida, Fascism, and the Past
+ black horror on the rhine, clifford's blues, history, holocaust, jim crow, john a williams, world war ii
“Dedicated to those without memorial or monument.” That is the epigraph to John A. Williams’ Clifford’s Blues (1999), a novel that illuminates the the connections between Jim Crow and the Holocaust and illuminates the Nazis treatment of Blacks during their reign of terror. Clifford Pepperidge, a Black, gay musician from New Orleans who traveled to Europe to escape Jim Crow and play music narrates … Read More The Black Horror on the Rhine, Jim Crow, and the Holocaust
Nostalgia is a hell of a drug. It’s the manifestation of an idealized past that never truly existed. I think about nostalgia a lot, whether it’s the Johnny’s pizza or Whataburger I always want to get when I head back to Louisiana or the “carefree” days of riding my bike to the mall to spend money at the arcade. No matter what the nostalgia, … Read More Nostalgia is a Hell of a Drug
Why? Last summer, I led a directed study, with one student, on Jim Crow and the Holocaust. When the student mentioned to other people the topic of the class, they would stare and respond with one word, “Why?” A lot rests within that one-word question. Why study Jim Crow? Why study the Holocaust? Why think about the links between Jim Crow and the Holocaust? Why … Read More Jim Crow, the Holocaust, and Today
In Playing in the Dark, Toni Morrison highlights the ways that language obfuscates yet also illuminates he Africanist presence at the heart of American literature. Morrison delivered the lectures that would constitute Playing in the Dark in 1990, and she foresaw possible backlash from her ideas. She chose to risk backlash because the point she sought to make was vitally important. As she puts it, “for both … Read More “Racially Inflicted Language” and the Archives
Interminable Rambling 