Category: african american literature

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+ african american literature, american literature, comics, Damian Duffy, gothic literature, graphic novels, John Jennings, kindred, literacy narrative, neo-slave narrative, octavia butler, race, slavery, southern literature, trudier harris

Literacy in Octavia Butler’s “Kindred”

by Unknown's avatar

Note: For this post, I will use Duffy and Jennings’ adaptation of Butler’s Kindred. I have read Butler’s novel, but it has a been a few years. The adaptation closely follows the novel. On Tuesday, I wrote about the ways that Damian Duffy’s illustrations convey just as much emotion to the reader as Octavia Butler and John Jennings’ words in the graphic novel adaptation of … Read More Literacy in Octavia Butler’s “Kindred”

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+ african american literature, american literature, comics, Damian Duffy, gothic literature, graphic novels, John Jennings, kindred, octavia butler, race, slavery, southern literature

Conveying Emotion in Duffy and Jennings’ Adaptation of Octavia Butler’s “Kindred”

by Unknown's avatar

One of the key aspects of reading comics and graphic novels is paying attention not just to the words but also to the visual images that accompany them. Both the words and the images work together to create an experience that, to me, resembles a melding of a printed text and movie. When I read the March trilogy and The Silence of Our Friends, … Read More Conveying Emotion in Duffy and Jennings’ Adaptation of Octavia Butler’s “Kindred”

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+ "health card", african american literature, american literature, frank yerby, harper's, o'henry award, southern literature, world war ii

Frank Yerby’s “Health Card” and Gender

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Before he started writing “costume novels,” Frank Yerby penned protest literature in the form of short stories and poems. The stories are in the vein of Richard Wright and other African American writers of the period. After failing to get his first novel length manuscript published, a protest novel, Yerby turned to what he called “costume novels,” historical narratives that subvert the plantation tradition. … Read More Frank Yerby’s “Health Card” and Gender

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+ african american literature, american literature, frank yerby, gone with the wind, Literature, louisiana literature, mark jerng, race, slavery, southern literature, the foxes of harrow

Racial Signification in Frank Yerby’s “The Foxes of Harrow”

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In “Reconstructions of Racial Perception: Margaret Mitchell’s and Frank Yerby’s Plantation Romances,” Mark C. Jerng argues that Frank Yerby’s The Foxes of Harrow “engages with the specific techniques of deploying racial signification in [Gone With the Wind], in particular by when race appears in the background and when it is foregrounded.” Jerng looks at the ways that Yerby challenges and reverses the racial associations … Read More Racial Signification in Frank Yerby’s “The Foxes of Harrow”

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+ african american literature, american literature, frank yerby, louisiana literature, southern literature, the foxes of harrow, white magnolias

The Ghosts of Harrow

by Unknown's avatar

Currently, I am working on an essay that examines Frank Yerby’s The Foxes of Harrow (1946) and the 1947 film adaptation that appeared a year after its publication. As such, I recently reread Yerby’s debut and wanted to comment on a couple of items that I noticed. Today, I want to take the time to look at the opening couple of pages in the novel. … Read More The Ghosts of Harrow

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