+
Last week, I read a post on Shadow and Act about the 1969 western 100 Rifles, film based off of Robert MacLeod’s The Californio (1966). In his piece for Shadow and Act, Sergio Mims discusses Jim Brown’s role in the film, the fact that he portrayed such a strong character, and the interracial relationship that blossomed between Brown’s and costar Raquel Welch’s characters. After … Read More “100 Rifles” and the Late 1960s: Part 1
Interminable Rambling
Interminable Rambling
Minnie Cooper and John McClendon in Faulkner’s “Dry September”
Category: american literature
+ american literature, an art commentary on lynching, naacp, paul cadmus, reginald marsh, southern literature, to the lynching, Uncategorized, william faulkner
Minnie Cooper and John McClendon in Faulkner’s “Dry September”
by Matthew Teutsch
Last Thursday, I wrote about the “blank spaces” in William Faulkner’s “Dry September” and some works by Ernest J. Gaines. Today, I want to look at a couple of scenes in Faulkner’s story and discuss the ways that Faulkner delves into the psychological effects of lynchings and racial violence on the perpetrators themselves. As such, I will briefly discuss Minnie Cooper and John McClendon … Read More Minnie Cooper and John McClendon in Faulkner’s “Dry September”
+ a gathering of old men, african american literature, american literature, dry september, ernest j gaines, louisiana literature, southern literature, the autobiography of miss jane pittman, Uncategorized, william faulkner
The Blank Spots in Faulkner’s “Dry September” and Ernest Gaines
by Matthew Teutsch
I’ve written about the image of dust in William Faulkner’s “Dry September” (1931) on this blog before, and today I would like to look at another aspect of Faulkner’s story that struck me as I reread it recently. Faulkner never shows McClendon and the mob lynch Will Mayes; however, we know that is exactly what happens because as they return in the car, Hawkshaw … Read More The Blank Spots in Faulkner’s “Dry September” and Ernest Gaines
+ american literature, charlotte perkins gilman, modernism, susan glaspell, the housewife, theatre, trifles, Uncategorized
Charlotte Perkins Gilman’s “The Housewife” & Susan Glaspell’s “Trifles”
by Matthew Teutsch
When getting ready to teach Susan Glaspell’s Trifles (1916) last week, I found myself looking through the anthology I am using for some poems to go along with the play. I found a couple by Amy Lowell and Edna St. Vincent Millay that would have possibly worked; however, none of them captured the spirit of Minnie Wright’s confinement and pain quite like Charlotte Perkins … Read More Charlotte Perkins Gilman’s “The Housewife” & Susan Glaspell’s “Trifles”
+ 100 rifles, african american literature, american literature, burt reynolds, jim brown, loving v. virginia, of love and dust, raquel welch, Uncategorized, western
“100 Rifles” and the Late 1960s: Part II
by Matthew Teutsch
On Tuesday, I wrote about 100 Rifles (1969) as a commentary on the cultural moment that it originally appeared within. Today, I want to continue that discussion by briefly looking at couple of more scenes from the film that should be examined. Continuing from where the previous post left off, this post will look at Lyedecker and Herrera’s conversation with the priest as they … Read More “100 Rifles” and the Late 1960s: Part II
+ 100 rifles, african american literature, american literature, burt reynolds, jim brown, raquel welch, Uncategorized, yaqui
“100 Rifles” and the Late 1960s: Part 1
by Matthew Teutsch
Last week, I read a post on Shadow and Act about the 1969 western 100 Rifles, film based off of Robert MacLeod’s The Californio (1966). In his piece for Shadow and Act, Sergio Mims discusses Jim Brown’s role in the film, the fact that he portrayed such a strong character, and the interracial relationship that blossomed between Brown’s and costar Raquel Welch’s characters. After … Read More “100 Rifles” and the Late 1960s: Part 1