Category: american literature

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The Blank Spots in Faulkner’s “Dry September” and Ernest Gaines

I’ve written about the image of dust in William Faulkner’s “Dry September” (1931) on this blog before, and today I would like to look at another aspect of Faulkner’s story that struck me as I reread it recently. Faulkner never shows McClendon and the mob lynch Will Mayes; however, we know that is exactly what happens because as they return in the car, Hawkshaw … Read More The Blank Spots in Faulkner’s “Dry September” and Ernest Gaines

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Charlotte Perkins Gilman’s “The Housewife” & Susan Glaspell’s “Trifles”

When getting ready to teach Susan Glaspell’s Trifles (1916) last week, I found myself looking through the anthology I am using for some poems to go along with the play. I found a couple by Amy Lowell and Edna St. Vincent Millay that would have possibly worked; however, none of them captured the spirit of Minnie Wright’s confinement and pain quite like Charlotte Perkins … Read More Charlotte Perkins Gilman’s “The Housewife” & Susan Glaspell’s “Trifles”

“100 Rifles” and the Late 1960s: Part II

On Tuesday, I wrote about 100 Rifles (1969) as a commentary on the cultural moment that it originally appeared within. Today, I want to continue that discussion by briefly looking at couple of more scenes from the film that should be examined. Continuing from where the previous post left off, this post will look at Lyedecker and Herrera’s conversation with the priest as they … Read More “100 Rifles” and the Late 1960s: Part II

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“100 Rifles” and the Late 1960s: Part 1

Last week, I read a post on Shadow and Act about the 1969 western 100 Rifles,  film based off of Robert MacLeod’s The Californio (1966). In his piece for Shadow and Act, Sergio Mims discusses Jim Brown’s role in the film, the fact that he portrayed such a strong character, and the interracial relationship that blossomed between Brown’s and costar Raquel Welch’s characters. After … Read More “100 Rifles” and the Late 1960s: Part 1

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Paul Laurence Dunbar’s “Nelse Hatton’s Vengeance” and the Plantation Tradition

In Tuesday’s post, I wrote about Charles Chesnutt’s “The Sheriff’s Children” and the plantation tradition. Today, I want to extend that conversation to include Paul Laurence Dunbar, an author who many have painted as an accomadationist that perpetuated African American stereotypes and played to the plantation tradition. However, as I argue elsewhere on this blog, Dunbar worked to subvert that tradition through his writing. … Read More Paul Laurence Dunbar’s “Nelse Hatton’s Vengeance” and the Plantation Tradition