Category: image comics

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The Narratives of History in “Killadelphia”: Part III

Writing to John Wayles Eppes in 1820, Thomas Jefferson spoke about about the exploitation of those he enslaved, especially in relation to the profits that he acquired off of the backs of their labor. He told Eppes, “I know no error more consuming to an estate that that of stocking farms with men almost exclusively. I consider a woman who brings a child every two … Read More The Narratives of History in “Killadelphia”: Part III

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The Narratives of History in “Killadelphia”: Part II

In my last post, I started looking at the differing perspectives we get of Jupiter’s history in Rodney Barnes and Jason Shawn Alexander’s Killadelphia. Specifically, I began to examine Jupiter’s description of his past in juxtaposition to the perspectives of Abigail Adams and Thomas Jefferson. After killing Blake Scott on stage during a concert, Jupiter turns himself in to the police so he can infiltrate the … Read More The Narratives of History in “Killadelphia”: Part II

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The Narratives of History in “Killadelphia” Part I

This semester, in my “Monsters, Race, and Comics” course, I’m teaching the first two volumes of Rodney Barnes and Jason Shawn Alexander’s Killadelphia. Recently, I just reread both volumes, which contain the first 12 issues of the series. There is a lot within these issues that, combined with everything else we read this semester, I want to explore with students. Specifically, I want to have … Read More The Narratives of History in “Killadelphia” Part I

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The Importance of Layouts in Comics

Whenever I read comics, I always pay attention, of course, to the juxtaposition between the text and images and the ways that they work in tandem to convey meaning. I pay attention to the gutters and the spaces that my mind fills in, either spatially or temporally. Each of these aspects is important, but for me, lately, paying attention to the page layout is … Read More The Importance of Layouts in Comics

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Reflections of the Self in “Infidel”: Part III

When Leslie sees the reflection of the racist, xenophobic, and Islamophobic monster staring back at her in the knife blade in Infidel, we begin to see her own self-reflection of the deep rooted prejudices she holds, specifically during her conversation with her granddaughter Kris. Other characters see the same type of reflection, notably Ethan, or they don’t, notably Grace who I discussed in the … Read More Reflections of the Self in “Infidel”: Part III