Category: southern literature

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Some Pedagogical Takeaways from the NEH Summer Institute

Part of this post appears in “‘I think Aladdin looked kinda white’: Teaching Cultural Projection in the Classroom” on the Pedagogy and American Literary Studies’ blog. The links throughout provide more insight into the technique being discussed.  During the NEH Summer Institute, Ernest J. Gaines and the Southern Experience, pedagogy was a big topic of discussion. Throughout the institute, the visiting lecturers and scholars shared with … Read More Some Pedagogical Takeaways from the NEH Summer Institute

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Readings for the Personal Identity Narrative 

In August 1996, I stepped foot onto the campus of Northeast Louisiana University (now the University of Louisiana at Monroe). At the time, I had no clue how I even ended up at NLU, about 90 miles from my hometown. It was just the thing to do. Once I graduated high school, college was the next stop on the road of life. However, at … Read More Readings for the Personal Identity Narrative 

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My Trip to Whitney Plantation

A couple of weeks ago, I finally had the opportunity to go to the Whitney Plantation in Wallace, LA. I have written about the Whitney before and some of its history; today, I want to focus on my experiences at the Whitney and how those experiences differed from what I encountered at other plantations and historical museums. Before I delve into this discussion, I … Read More My Trip to Whitney Plantation

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What Does the Cover Say? (Part 2)

Last post, I wrote briefly about three of the covers from Ernest J. Gaines’s Of Love and Dust (1967). Today, I want to continue the discussion by looking at the 1994 Vintage Books edition and two 1991 covers from French translations. Examined in relation to the covers discussed in the previous post, these images provide readers with three more introductions to OLAD before they … Read More What Does the Cover Say? (Part 2)

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What Does the Cover Say?

One topic that has always interested me is the visual representations of literary works. Visual artists from Gustave Dore and E.W. Kemble illustrated everything from Dante’s Divine Comedy (1320) to Paul Laurence Dunbar’s The Strength of Gideon and Other Stories (1900). Thinking about these visual representations along with the text provides an interesting conversation, not just regarding how the images and texts interact but how … Read More What Does the Cover Say?