Category: graphic novels

+

Severed History in Nate Powell’s “Save It For Later”: Part III

The Falcon and The Winter Soldier six-part series is bookended by Sam visiting the Captain America exhibit commemorating Steve Rogers’ service during World War II and his continued adventures. In the first episode, Sam Wilson walks through the exhibit, remembering Steve and their friendship. As the series progresses, we get introduced to Isaiah Bradley, a Black man who, along with other Black soldiers, took … Read More Severed History in Nate Powell’s “Save It For Later”: Part III

+

Severed History in Nate Powell’s “Save it For Later” Part II

In last Thursday’s post, I started looking at “Good Trouble, Bad Flags” in Nate Powell’s Save It For Later: Promises, Parenthood, and the Urgency of Protest. Specifically, I looked at the ways that Powell discusses the severing of history and the erasure of history that occurs throughout our collective consciousness. Today, I want to continue that discussion by looking at a few more moments … Read More Severed History in Nate Powell’s “Save it For Later” Part II

+

Severed History in Nate Powell’s “Save it For Later” Part I

Nate Powell’s Save It For Later is a book for this moment. As a parent, as a white male Southerner, Powell’s book speaks to me in the same ways that Lillian Smith’s words speak to me across the decades. Both Powell and Smith know the intertangled webs that maintain systems of racism and oppression. Both Powell and Smith recognize their positions within those webs, … Read More Severed History in Nate Powell’s “Save it For Later” Part I

+

Photographs and Memory in Thi Bui’s “The Best We Could Do”: Part III

Over the last two posts, I have looked at the ways that Thi Bui deploys photographs in her graphic memoir The Best We Could Do, exploring how these photographs function not only in relation to the narrative but also in relation to the construction of memory within in the text. Today, I want to finish my examination of photographs and memory in Bui’s graphic … Read More Photographs and Memory in Thi Bui’s “The Best We Could Do”: Part III

+

Photographs and Memory in Thi Bui’s “The Best We Could Do”: Part II

In my previous post, I started writing about photographs and constructions of memory in Thi Bui’s The Best We Could Do. Over the past year, I’ve been drawn to the ways that graphic memoirists use actual photographs within their work. Occasionally, they use actual copies of the photographs, but for the majority of the texts that I have looked at, creators reproduce the photographs, … Read More Photographs and Memory in Thi Bui’s “The Best We Could Do”: Part II