Category: william faulkner

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+ alice walker, attica locke, ernest hemingway, ernest j gaines, modernism, syllabus, wiley cash, willa cather, william faulkner

“Introduction to Modernism: Modernism and Ernest J. Gaines” Syllabus

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As part of my Fulbright application, I proposed two courses for my time at the University of Bergen. I have already posted one of these syallbi, “African American Literature and the American South.” This course will be an MA level course, and I am currently in the process of finalizing the readings. They have changed, some, since I initially posted the syllabus. When I … Read More “Introduction to Modernism: Modernism and Ernest J. Gaines” Syllabus

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+ captain america/black panther: flags of our fathers, caroline barr, catharine maria sedgwick, comics, dorie miller, elizabeth freeman, graphic novels, josephine, kevin sacco, reginald hudlin, william faulkner

Josephine’s Invisibility in Kevin Sacco’s “Josephine”

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Kevin Sacco’s Josephine (2017) is poignant and moving. Told only through sepia colored panels, without words, the semi-autobiographical Josephine centers on a seven year-old protagonist as he navigates Manhattan’s Upper West Side in the 1960s, guided in part by his Black caretaker, Josephine. Josephine is, as Sacco notes, a melding together “of my caretakers. . . Leonora, Cleo, Mildred, Louise, and Josephine.” Through Josephine, Sacco’s tale … Read More Josephine’s Invisibility in Kevin Sacco’s “Josephine”

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+ Al Feldstein, comics, EC Comics, jean toomer, julian chambliss, Shock SuspenStories, the whipping, under cover, Wallace Wood, william faulkner

Interracial Intimacy in Feldstein and Wood’s “Under Cover” and “The Whipping!”

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If you enjoy what you read here at Interminable Rambling, think about making a contribution on our Patreon page.  Today, I am concluding my posts on some of Al Feldstein an Wallace Wood’s stories from EC Comics’ Shock SuspenStories by looking at “Under Cover” and “The Whipping!” Both of these stories deal with the fears surrounding interracial intimacy and the ways that these fears manifested … Read More Interracial Intimacy in Feldstein and Wood’s “Under Cover” and “The Whipping!”

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+ Al Feldstein, an art commentary on lynching, charles chesnutt, comics, EC Comics, naacp, Shock SuspenStories, the guilty!, Wallace Wood, william faulkner

Confronting the Reader in Feldstein and Wood’s “The Guilty!”

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Last Thursday, I wrote about the ways that Al Feldstein and Wallace Wood countered racism in their story “Hate!” which appeared in EC Comics’ Shock SuspenStories #5. Over the next couple of posts, I want to take a look at three more stories by the duo: “Guilty!,” “Under Cover,” and “The Whipping!” I do not have enough space to thoroughly delve into each story; … Read More Confronting the Reader in Feldstein and Wood’s “The Guilty!”

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+ american literature, an art commentary on lynching, naacp, paul cadmus, reginald marsh, southern literature, to the lynching, Uncategorized, william faulkner

Minnie Cooper and John McClendon in Faulkner’s “Dry September”

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Last Thursday, I wrote about the “blank spaces” in William Faulkner’s “Dry September” and some works by Ernest J. Gaines. Today, I want to look at a couple of scenes in Faulkner’s story and discuss the ways that Faulkner delves into the psychological effects of lynchings and racial violence on the perpetrators themselves. As such, I will briefly discuss Minnie Cooper and John McClendon … Read More Minnie Cooper and John McClendon in Faulkner’s “Dry September”

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