Tag: comics

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+ benito mussolini, bill campbell, Bizhan Khobabandeh, comics, fascism, graphic novels, ku kluk klan, the day the klan came to town, world war i

Fascism and the Ku Klux Klan in Bill Campbell and Bizhan Khobabandeh’s “The Day the Klan Came to Town”

by Unknown's avatar

As I reread Bill Campbell and Bizhan Khobabandeh’s The Day the Klan Came to Town (2021) recently, my mind kept coming back to another book I have been reading at the moment, Robert O. Paxton’s The Anatomy of Fascism (2005). Campbell and Khodabandeh’s graphic novel tells the story of individuals in Carnegie, PA, standing up against the Ku Klux Klan’s planned march through the borough of Pittsburgh where Jews … Read More Fascism and the Ku Klux Klan in Bill Campbell and Bizhan Khobabandeh’s “The Day the Klan Came to Town”

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+ comics, dc comics, gene luen yang, Gurihiru, lillian e smith, martin luther king, jr, superman smashes the klan

Hate, the Oldest Commodity, in “Superman Smashes the Klan”

by Unknown's avatar

Hate sells, and it’s profitable as hell. This isn’t anything new or revelatory, I know. Lillian Smith pointed it out in Killers of the Dream when she talked about wealthy whites, in order to maintain their power, enlisted poor whites in hate against African Americans and others following Reconstruction and into the Jim Crow era and beyond, flattening whiteness. Martin Luther King, Jr. pointed … Read More Hate, the Oldest Commodity, in “Superman Smashes the Klan”

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+ arab in america, comics, graphic memoir, graphic novels, I Was Their American Dream, Malaka Gharib, mohja kahf, the girl in the tangerine scarf, toufic el rassi

“What are you?”: Part I

by Unknown's avatar

Individuals consistently label others in hopes that they will fit into preconceived constructed categories. The use of these categories helps us navigate the world around us, but these categories also craft differences between individuals. Rather than celebrating these differences, the categories serve, especially to those in power, as a means of severing communities and individuals, causing them to turn on one another out of … Read More “What are you?”: Part I

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+ comics, Darkroom: A Memoir in Black and White, graphic memoir, graphic novels, holocaust, japanese american internment, maus, no-no boy, of love and dust, they called us enemy, world war ii

Multicultural American Literature Syllabus 2022

by Unknown's avatar

Over the past few years, I have taught numerous multicultural American literature courses, at various levels from sophomore to graduate. This semester, the texts center around the question, “Who is American?” Unlike previous semesters, I have read or taught these texts before, so none are really new to me. However, the overarching theme and the focus of the texts has provided me with ways … Read More Multicultural American Literature Syllabus 2022

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+ comics, dc comics, deadshot, democracy, democratic socialism, EC Comics, january 6, nightshade, rick flag, suicide squad

Self-Interest and The Common Good in “Suicide Squad” #4

by Unknown's avatar

Over the course of this blog, I’ve written, extensively, about the ways that comics address political and social issues. The “preachies” in EC Comics are perhaps the most obvious examples of this. Today, I want to look at May 1987’s Suicide Squad #4 written by John Ostrander and drawn by Luke McDonnell. “William Hell’s Overture” is a self-contained story early Ostrander’s Suicide Squad run, … Read More Self-Interest and The Common Good in “Suicide Squad” #4

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