Category: david f walker

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The Ethnogothic

Recently, I finally had the chance to read all of David Walker, Chuck Brown, and Sanford Green’s Bitter Root vol. 1. In “Deep Roots/Rich Soil: Race, Horror and the Ethnogothic” (a back matter essay to Bitter Root), John Ira Jennings lays out what him and Stanford Carpenter call the “EthnoGothic,” a term I want to look at some today in relation to Bitter Root … Read More The Ethnogothic

David Walker’s “Cyborg” and Identity: Part II

Last post, I started looking at David Walker’s Cyborg, and I noted that his arc, “Unplugged,” is not an origin story about how Victor Stone became Cyborg. Instead, it is an arc chronicling how Victor Stone, as Cyborg, becomes Victor Stone. It’s an arc tracing how Victor Stone becomes visible to his family and society. It’s an arc that, at its core, encapsulates the … Read More David Walker’s “Cyborg” and Identity: Part II

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David F. Walker’s “Cyborg” and Identity

Last January, I posted a syllabus for a “Comics and Race” course that I constructed. At that time, I had not read any of David F. Walker’s work. A few months later, I read Nighthawk, and I was blown away. Nighthawk led me to other series by Walker such as Shaft, Luke Cage, Power Man and Iron Fist, and his recent work Bitter Root. … Read More David F. Walker’s “Cyborg” and Identity

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Noah Burstein, Paternalism, and Black Bodies in David F. Walker´s “Luke Cage”

After reading David Walker’s Nighthawk, I started reading his run on Luke Cage that started in May 2017. The first story arc, “Sins of  the Father,” sees Cage headed to New Orleans to attend the funeral of Dr. Noah Burstein, the man who experimented on Carl Lucas at Seagate prison, turning him into the superhero Luke Cage. Once he arrives, Cage discovers a plot … Read More Noah Burstein, Paternalism, and Black Bodies in David F. Walker´s “Luke Cage”

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We Must Listen, See, and Act: David F. Walker’s “Nighthawk”

Last post, I wrote about the ways that David F. Walker’s Nighthawk lays bare the tendrils of racism that work at various levels to suffocate and oppress people of color in America. Today, I want to expand some on this and look at how Raymond Kane confronts issues of racism and subjugation. I want to explore, briefly, the moral tensions that Kane encounters as … Read More We Must Listen, See, and Act: David F. Walker’s “Nighthawk”