Category: ernest j gaines

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“African American Literature and the American South” Syllabus

Occasionally, I post syllabi ideas here on the blog. Today, I want to share a syllabus I have been thinking about recently entitled “African American Literature and the American South.” The South, as a geographic and imaginary space, looms large in the works of not just African American authors but in writers of all ethnic backgrounds from the United States. Maryemma Graham discusses the … Read More “African American Literature and the American South” Syllabus

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Ernest J. Gaines’ “A Gathering of Old Men” and the Social Construct of Race

If you enjoy what you read here at Interminable Rambling, think about making a contribution on our Patreon page.  Recently, I spoke with a colleague’s class about Ernest J. Gaines and specifically A Gathering of Old Men (1983). During the question and answer period, two students asked questions that made me start to think about the ways that Gaines, throughout his entire career, challenges … Read More Ernest J. Gaines’ “A Gathering of Old Men” and the Social Construct of Race

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Ernest J. Gaines’ “The Tragedy of Brady Sims”

Speaking with Jerome Tarshis in 1974, Ernest Gaines spoke about his desire to write a story with “that barber shop type of thing” where people gather around a community center and relate stories about the past and the present. Looking at James Joyce’s “Ivy Day in the Committee Room” as an example, Gaines told Tarshis, “I think is one of the greatest short stories that … Read More Ernest J. Gaines’ “The Tragedy of Brady Sims”

William Melvin Kelley’s “The Only Man on Liberty Street” and Children

I’ve read William Melvin Kelley’s Dem (1967) and A Different Drummer (1962). After reading Eli Rosenblatt’s piece on Kelley in May at Public Books, I decided to dig further into Kelley’s work, beginning with his short story collection Dancers on the Shore (1964). Immediately, two stories stuck out to me from the collection, “The Only Man on Liberty Street” and “The Servant Problem.” Over … Read More William Melvin Kelley’s “The Only Man on Liberty Street” and Children

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Frank Yerby and the Myth of Valor

Frank Yerby’s Benton’s Row appeared in 1954, eight years after his debut novel The Foxes of Harrow (1946) In many ways, the narrative arcs are similar: a mysterious man comes to town, under mysterious circumstances, he makes a fortune, has numerous lovers, and his dynasty crumbles by the end of the novel. While The Foxes of Harrow focuses on Stephen Fox almost exclusively, ending … Read More Frank Yerby and the Myth of Valor