Category: graphic memoir

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Dream and Reality in Craig Thompson’s “Blankets”

Over the course of this semester, one of the recurring discussions in the graphic memoirs class has been about the ways that these texts approach memory and the past. I’ve written about this already with Kristen Radtke’s Imagine Wanting Only This where I discuss Radtke’s movement back and forth between specific scenes in the text. In this post, I want to look at this … Read More Dream and Reality in Craig Thompson’s “Blankets”

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Panel Structure in Craig Thompson’s “Blankets”

In “The Beautiful Ambiguity of Blankets: Comics Representation and Religious Art,” Benjamin Stevens writes about the religious symbolism and metanarrative aspects of Craig Thompson’s Blankets. Early in his essay, Stevens discusses Thompson’s use of panels, the absence, in spots, of borders, and other aspects that draw attention to Blankets as a graphic memoir working within the language of the genre. Stevens points out that … Read More Panel Structure in Craig Thompson’s “Blankets”

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Dissecting Pages from Lillian Smith Graphic Memoir

Last week, I shared the graphic memoir that I created alongside my students this semester. I detailed, in that post and the post where I described the project, my thought process for the narrative and what parts of Lillian Smith’s story I wanted to tell. As well, I walked through a three page sequence where I focused on Smith’s work as the director of … Read More Dissecting Pages from Lillian Smith Graphic Memoir

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Graphic Memoir Project

This semester in my Literature and Composition Graphic Memoirs class I am having students do a creative final project. For this project, they will either create their own graphic memoir or do a “Call and Response” piece for Looking at Appalachia. Since this is a new assignment, I am making my own graphic memoir alongside my students, trying my hand at creating a text. … Read More Graphic Memoir Project

Fences in George Takei’s “They Called Us Enemy”

Some of the strongest symbols within George Takei’s They Called Us Enemy are the fences that surround Rohwer and Tule Lake interment camps. There are multiple panels depicting the barbed wire fences, and various angles occur in each of the panels. These images, coupled with Takei’s words, highlight the psychological effects of xenophobia and racism on individuals, especially children such as Takei. I have … Read More Fences in George Takei’s “They Called Us Enemy”