Category: louisiana literature

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Genaro Kỳ Lý Smith’s “Fidèle”and Intrusion

Recently, I taught Genaro Kỳ Lý Smith’s The Land Baron’s Sun: The Story of Lý Loc and His Seven Wives (2014) for the first time, and during this read through, I began to think about the topic of the American Dream even more along with colonization and intrusion. These themes pop up in numerous poems throughout the collection, and I have written about them before. Today, … Read More Genaro Kỳ Lý Smith’s “Fidèle”and Intrusion

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Some Reflections on CLA 2017

Over that past 14-15 years, I have attended numerous academic conferences, typically 1-2 per year. That means I have gone to about 28-30 during that time span. Initially, when I would go to a conference, even one with hundreds of people, I would feel alone and somewhat isolated because, as a graduate student and instructor, I did not necessarily know how to take full … Read More Some Reflections on CLA 2017

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The Blank Spots in Faulkner’s “Dry September” and Ernest Gaines

I’ve written about the image of dust in William Faulkner’s “Dry September” (1931) on this blog before, and today I would like to look at another aspect of Faulkner’s story that struck me as I reread it recently. Faulkner never shows McClendon and the mob lynch Will Mayes; however, we know that is exactly what happens because as they return in the car, Hawkshaw … Read More The Blank Spots in Faulkner’s “Dry September” and Ernest Gaines

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Kate Chopin’s “Désirée’s Baby” and the Social Constrction of Race

Last post, I wrote about the idea of race as a social construct  in George Washington Cable’s “‘Tite Poulette.” Today, I want to examine another story set in Louisiana and how it highlights race as a social construct. To that end. I will discuss Kate Chopin’s “Désirée’s Baby,” a story that originally appeared in Vogue in 1893. Like Cable’s story, “Désirée’s Baby” challenges the … Read More Kate Chopin’s “Désirée’s Baby” and the Social Constrction of Race

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George Washington Cable’s “‘Tite Poulette” and Race

Last week, I wrote about Sui Sin Far and her discussion of nationality and nationhood in Leaves from the Mental Portfolio of a Eurasian. Far highlights the arbitrary nature of of the term “nation,” and rather than holding “nationality” up for honor, she lifts individuality in its place. In a similar manner, George Washington Cable, throughout his works, illuminates the social constructions of race … Read More George Washington Cable’s “‘Tite Poulette” and Race